[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"left-rail-focus-en":3,"$fIvfSqqQ82IOWRBtRolGm60Kv0v9r80toafJ_W2NF4uU":209,"right-rail-creators-en-guest":256,"right-rail-reading-en":397},{"data":4,"links":56,"meta":60},[5],{"ulid":6,"type":7,"title":8,"content":9,"content_html":10,"slug":11,"slug_plain":11,"canonical_url":12,"social_links":13,"creator_focuses":17,"creator_focus_codes":21,"creator_focus_labels":25,"texts":26,"media":32,"related":50,"user":51,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":55,"updated_at":55},"01KK7JP5SNY8N5FR848EJADYA4","creator","Lionfield","Lionfield is an Italian content creator and music duo formed by childhood friends Matteo Salvatori and Emiliano Santoro. Based on their shared passion for Italian culture, cuisine, and music, they produce humorous and educational videos that highlight traditional Italian food practices, often reacting to unconventional or incorrect ways of cooking classic dishes.\n\nThe duo gained prominence on platforms like YouTube and TikTok, where they mix musical performances with comedy sketches centered around pasta, pizza, and other staples of Italian cuisine. Their content frequently focuses on \"protecting\" Italian food traditions, using exaggerated reactions and catchphrases to entertain while reinforcing authentic cooking methods.\n\nIn addition to short-form reactions, Lionfield creates original music and themed videos, such as their song and video about making pasta al dente. They often incorporate practical cooking tips—like properly timing pasta and avoiding common myths—into their lyrics and scripts, making their content both engaging and informative.\n\n- Italian duo: Matteo Salvatori and Emiliano Santoro  \n- Known for: comedic reactions to food \"torture\" and Italian cooking fails  \n- Platforms: YouTube, TikTok, and other social media  \n- Focus: Italian cuisine, music, and cultural commentary","\u003Cp>Lionfield is an Italian content creator and music duo formed by childhood friends Matteo Salvatori and Emiliano Santoro. Based on their shared passion for Italian culture, cuisine, and music, they produce humorous and educational videos that highlight traditional Italian food practices, often reacting to unconventional or incorrect ways of cooking classic dishes.\u003C\u002Fp>\n\u003Cp>The duo gained prominence on platforms like YouTube and TikTok, where they mix musical performances with comedy sketches centered around pasta, pizza, and other staples of Italian cuisine. Their content frequently focuses on "protecting" Italian food traditions, using exaggerated reactions and catchphrases to entertain while reinforcing authentic cooking methods.\u003C\u002Fp>\n\u003Cp>In addition to short-form reactions, Lionfield creates original music and themed videos, such as their song and video about making pasta al dente. They often incorporate practical cooking tips—like properly timing pasta and avoiding common myths—into their lyrics and scripts, making their content both engaging and informative.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Italian duo: Matteo Salvatori and Emiliano Santoro\u003C\u002Fli>\n\u003Cli>Known for: comedic reactions to food "torture" and Italian cooking fails\u003C\u002Fli>\n\u003Cli>Platforms: YouTube, TikTok, and other social media\u003C\u002Fli>\n\u003Cli>Focus: Italian cuisine, music, and cultural commentary\u003C\u002Fli>\n\u003C\u002Ful>\n","lionfield","lionfield\u002F01KK7JP5SNY8N5FR848EJADYA4",[14],{"network":15,"url":16},"youtube","https:\u002F\u002Fwww.youtube.com\u002F@Lionfield",[18,19,20],"Food","Music","Comedy",[22,23,24],"food","music","comedy",{"food":18,"music":19,"comedy":20},[27,30],{"type":28,"text":8,"locale":29},"title","en",{"type":31,"text":9,"locale":29},"content",[33],{"id":34,"ulid":35,"post_id":36,"type":37,"path":38,"url":39,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":45,"width":46,"height":46,"duration":43,"hash":47,"variant_base_url":48,"metadata":43,"created_at":49,"updated_at":49},109,"01KK7JP6GQS30VJEEH0DQJ7MVX",58,"image","posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7JP6GQS30VJEEH0DQJ7MVX.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7JP6GQS30VJEEH0DQJ7MVX.jpg","public",false,0,null,"image\u002Fjpeg",123453,900,"83ed7b705c91b38e340000031a71ae236b3840503ecc1d41b3cc35f7c82e0389","https:\u002F\u002Fapi.influrs.com\u002Fstorage","2026-03-08T20:37:16.000000Z",[],{"ulid":52,"name":53,"avatar":54},"01KJ37Q0G1X6KJN6AKDK65MDZ5","Sqa17ll","https:\u002F\u002Flh3.googleusercontent.com\u002Fa\u002FACg8ocKaRvWO1Gfwoph3v77vSGL2hZ4dGqPnnY8mN2HHnO9S1BKnnw=s96-c","2026-03-08T20:37:13.000000Z",{"first":57,"last":58,"prev":43,"next":59},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=1","http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=22","http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=2",{"current_page":61,"from":61,"last_page":62,"links":63,"path":114,"per_page":61,"to":61,"total":62,"focus_area_options":115},1,22,[64,66,69,72,76,80,84,88,92,96,100,104,106,110,112],{"url":43,"label":65,"page":43,"active":41},"pagination.previous",{"url":57,"label":67,"page":61,"active":68},"1",true,{"url":59,"label":70,"page":71,"active":41},"2",2,{"url":73,"label":74,"page":75,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=3","3",3,{"url":77,"label":78,"page":79,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=4","4",4,{"url":81,"label":82,"page":83,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=5","5",5,{"url":85,"label":86,"page":87,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=6","6",6,{"url":89,"label":90,"page":91,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=7","7",7,{"url":93,"label":94,"page":95,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=8","8",8,{"url":97,"label":98,"page":99,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=9","9",9,{"url":101,"label":102,"page":103,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=10","10",10,{"url":43,"label":105,"active":41},"...",{"url":107,"label":108,"page":109,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=21","21",21,{"url":58,"label":111,"page":62,"active":41},"22",{"url":59,"label":113,"page":71,"active":41},"pagination.next","http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts",[116,119,122,125,126,129,132,135,138,141,144,147,150,153,156,159,162,165,168,169,172,175,178,181,184,187,190,193,196,199,200,203,206],{"code":117,"label":118},"art","Art",{"code":120,"label":121},"animals","Animals",{"code":123,"label":124},"books","Books",{"code":24,"label":20},{"code":127,"label":128},"design","Design",{"code":130,"label":131},"film","Film",{"code":133,"label":134},"fitness","Fitness",{"code":136,"label":137},"gaming","Gaming",{"code":139,"label":140},"health","Health",{"code":142,"label":143},"history","History",{"code":145,"label":146},"nature","Nature",{"code":148,"label":149},"news","News",{"code":151,"label":152},"politics","Politics",{"code":154,"label":155},"science","Science",{"code":157,"label":158},"sports","Sports",{"code":160,"label":161},"military","Military",{"code":163,"label":164},"space","Space",{"code":166,"label":167},"journalist","Journalist",{"code":23,"label":19},{"code":170,"label":171},"actor","Actor",{"code":173,"label":174},"comedian","Comedian",{"code":176,"label":177},"tech","Tech",{"code":179,"label":180},"ai","AI",{"code":182,"label":183},"business","Business",{"code":185,"label":186},"finance","Finance",{"code":188,"label":189},"investing","Investing",{"code":191,"label":192},"crypto","Crypto",{"code":194,"label":195},"beauty","Beauty",{"code":197,"label":198},"fashion","Fashion",{"code":22,"label":18},{"code":201,"label":202},"travel","Travel",{"code":204,"label":205},"home","Home",{"code":207,"label":208},"automotive","Automotive",{"data":210},{"ulid":211,"type":212,"title":213,"content":214,"content_html":215,"slug":216,"slug_plain":216,"canonical_url":217,"social_links":218,"creator_focuses":219,"creator_focus_codes":220,"creator_focus_labels":221,"tex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Abuse, Brainrot y Gatos en la Pirámide: El Caótico Directo de Abraham Flores","## Regreso del “simio mayor” y mudanza a Monterrey\n\nAbraham Flores, conocido como ElAbrahaham o el “simio mayor”, abre el directo explicando que llevaba una semana sin prender stream porque estaba ocupado grabando un video con MrBeast y mudándose a Monterrey. Entre disculpas y chistes con sus “simiecitos y simiecitas”, comenta que:\n\n- Ya está instalado en Monterrey, aún adaptándose al clima y haciendo bromas sobre estar “moquiento”.\n- Estuvo un tiempo streameando casi solo en Twitch por contrato, pero ahora vuelve a YouTube y saluda de nuevo a la comunidad de ambas plataformas.\n- Aclara, medio en broma, que si realmente hubiera ganado un millón de dólares con MrBeast quizá no estaría ahí, pero deja la intriga: “puede que lo haya ganado, puede que no, no les voy a spoilear”. Añade que, de ganar, ese dinero sería “para la comunidad”.\n\nEl tono es el típico de Abraham: muy rápido, muy cercano al chat, agradeciendo suscripciones y donaciones, pero insistiendo en que “no es necesario” mientras juega con la expectativa del video con MrBeast.\n\n## Tres canales diarios, nuevas fotos de perfil y el boom de Free Fire\n\nAbraham aprovecha para explicar cambios en su ecosistema de contenido. Señala que volvió a sus fotos de perfil antiguas porque está “volviendo a los orígenes” y porque ahora lleva una rutina muy concreta:\n\n- Sube video diario en **tres canales** a la vez:\n  - Un canal dedicado a **Free Fire**.\n  - Un canal dedicado a **Fortnite**.\n  - Su canal principal, donde sube principalmente **Roblox** y hace directos.\n- Cuenta que probó subir un gameplay de Free Fire a un canal “random” que tenía guardado. Sin anunciarlo en ningún lado, el video:\n  - Alcanzó alrededor de medio millón de vistas.\n  - Hizo que el canal ganara aproximadamente 20.000 suscriptores.\n  - Tiene miles de likes, pero el sistema no permite comentar, algo que él interpreta como un posible bug de YouTube.\n\nEse experimento refuerza su idea de que su audiencia responde incluso sin promoción directa. Lo narra riéndose de su propia suerte y jugando con la idea de que “YouTube está bugueado” porque no se pueden dejar comentarios en ese video.\n\n## Del TikTok brainrot a MrBeast: invitados, Rubius e Ibai\n\nUna parte central del directo es el relato de su viaje a grabar con **MrBeast** y convivir con otros creadores gigantes. Sin entrar en spoilers específicos del video de MrBeast, Abraham cuenta sensaciones y anécdotas personales:\n\n- Dice abiertamente que conoció a **Rubius**, a quien llama su ídolo absoluto y una especie de figura paterna en lo creativo:\n  - Afirma que Rubius ha estado “en más comidas” con él que su propio padre, porque lo acompañó durante años a través de sus videos.\n  - Confiesa que se quedó con vergüenza al no decirle todo lo que quería, sintiendo que quizá Rubius solo lo vio como “un fan más”, cuando para Abraham fue alguien que “le cambió la vida”.\n- Menciona que también coincidió y convivió con:\n  - **Ibai**\n  - **TheGrefg** (a quien ya conocía de antes, pero ahora en un contexto más formal y grabado)\n  - **Quackity**, con quien se tomó fotos y a quien describe como alguien que casi nunca sonríe en fotos pese a ser muy enérgico en directo.\n  - **Marlon**, streamer con el que los fans lo comparaban físicamente desde que se cortó el cabello. Presume una foto juntos y bromea con que “Dios debió haberlo hecho así” de guapo.\n- También habla de **Steak**, con quien dice tener ya una relación más de camaradas, saludándose cansados en el set.\n\nAunque evita spoilers del proyecto de MrBeast, deja claro que para él fueron “de los mejores días de su vida”, que todos los creadores que admiraba resultaron ser personas amables y accesibles, y que incluso le habría “gustado que uno le cayese mal” para que no fuera todo tan perfecto.\n\n## Roba un Brainrot, admins y secretos con Mono Oaxaco\n\nEl directo se centra luego en Roblox, especialmente en **Roba un Brainrot**, donde Abraham entra al juego acompañado de **Mono Oaxaco** (a quien él llama en broma “Mono me da asco”):\n\n- Comenta que existe una comunidad dividida entre quienes ven sus videos editados y quienes solo siguen los directos. Lo comprueba preguntando por el nombre de un muñeco que aparece en sus otros canales; muchos sí lo reconocen y otros no.\n- Hablan de la economía interna de Roba un Brainrot:\n  - Mono le explica que hay una lista filtrada de cuántos brainrots exclusivos existen.\n  - Menciona el **Hless Horman** como uno de los más raros: habría muy pocos ejemplares, incluso menos que de ciertos elefantes.\n  - Comentan que algunos jugadores como **Draconite** acumulan cantidades enormes de secretos (como decenas de elefantes), lo que altera el valor de ciertos ítems.\n- Abraham se interesa por la nueva **máquina de fusión** y las probabilidades de obtener brainrots raros usando brainrots de oro, preguntando si poner más mejora el porcentaje. Mono explica que sí se incrementa un poco la probabilidad de obtener versiones doradas.\n- Bromean con el sistema de tradeo, los riesgos de estafa y casos como:\n  - Un niño que le cambió a Mono un dragón muy fuerte (mutado a 8–11 billones de fuerza) por un elefante más exclusivo.\n  - Abraham reflexiona que, aunque económicamente no parezca “justo”, muchos niños valoran el apego sentimental al ítem por encima de su rareza matemática.\n- Entre chistes, Abraham lanza un mensaje irónico a **Sami**, desarrollador de Roba un Brainrot, mezclando español e inglés para pedir que se una al servidor y participe en el admin abuse, asegurando que podrían hacer algo grande “para un video con dos millones de personas”.\n\nTambién se queja juguetonamente de que a veces teme que el juego muera, pero cada actualización (sobre todo la máquina de tradeos) lo revive y reactiva el interés de su comunidad.\n\n## Admin Abuse y nuevo contenido en 99 Noches\n\nLa otra gran mitad del directo gira en torno al **admin abuse de 99 Noches**, un juego de supervivencia en Roblox donde Abraham tiene un rol muy activo:\n\n- Entra al **evento de admin abuse**, donde los desarrolladores les otorgan herramientas especiales y contenidos temporales:\n  - Globos, pastelitos, decoraciones de “fiesta de actualización”.\n  - Objetos poderosos como un **hacha de administrador** devastadora.\n  - Barriles, globos gigantes y efectos que vuelven absurda la escala normal del juego.\n- Descubren una nueva **cinemática** y contenido tematizado con una especie de templo tipo **Chichén Itzá** (Abraham lo pronuncia en broma “chichinita”).\n  - Aparece un texto que habla de “juego salvaje” y de cortar árboles para alimentar una hoguera.\n  - Se insinúa la presencia de una **nueva criatura**, que Abraham y Mono describen como un gato\u002Fjaguar.\n- Abraham propone convertir eso en un video formal para YouTube:\n  - Pide al editor que, en la versión editada, inserte la cinemática “que acaban de ver”.\n  - Bromea con que Mono se adelanta y suelta spoilers sobre la criatura.\n\nEn la práctica, juegan una partida usando las ventajas del admin abuse:\n\n- Tienen un **hacha de admin** capaz de:\n  - Tumbar árboles gigantes de un golpe.\n  - Matar lobos y osos también de un solo hachazo.\n- Abraham insiste en el concepto de **“aura”**:\n  - Pone música con playlists llamadas “Farmear Aura” o similares.\n  - Sincroniza golpes de hacha con la música para crear momentos “cinematográficos” que el chat celebra.\n- Rescatan niños NPC, a quienes van bautizando:\n  - Uno se llama “Don Juan” aunque es claramente un niño, lo que Mono encuentra absurdo.\n  - Otra se llama Pancha\u002FFrancisca.\n  - Otro lo nombran Roberto, momento que coincide con un efecto de sonido, y Abraham juega con que está “maldito”.\n\nTodo esto mientras mantienen su dinámica de humor: Abraham regaña a Mono por forzar clips, por abrir cofres antes de rescatar niños y por hacer chistes demasiado obvios; Mono acepta el papel de “compañero caótico” y el chat alimenta la escena con comentarios.\n\n## Configuraciones técnicas, PlayStation y TikTok\n\nEn medio de la partida, Abraham va resolviendo problemas técnicos en directo, lo que da una mirada a su flujo de trabajo como streamer:\n\n- Juega a veces desde **PlayStation 5** usando capturadora, lo que le impide entrar directamente a servidores privados, así que:\n  - Usa una **cuenta secundaria en el teléfono** para entrar a los servidores privados y luego unirse desde la consola.\n  - Ajusta en vivo el sistema de notificaciones de PS5 para seguir viendo mensajes pero silenciando sus sonidos.\n- Comenta problemas de rendimiento:\n  - Dice que está streameando y jugando en la misma PC y teme que “explote”.\n  - Baja y sube configuración gráfica en Roblox para evitar lag.\n- Desde TikTok le aparece un mensaje de advertencia de sobrecarga de ordenador, que lee en voz alta y transforma en broma.\n\nAdemás, muestra cómo gestiona la moderación y la relación con el chat:\n\n- Explica que ya casi no manda saludos gratuitos improvisados porque prefiere vender saludos personalizados a través de su página, donde puede grabarlos con más calma y “con cariño”.\n- Aclara que muchos de sus espectadores son niños y que no le gusta darles saludos “sin ganas” en medio del caos del directo, aunque de vez en cuando concede alguno breve.\n\n## El estilo de Abraham Flores: comunidad, nostalgia y autoironía\n\nA lo largo del directo se reconoce fácilmente el estilo de Abraham Flores, que lo ha convertido en una figura destacada del streaming en español:\n\n- **Lenguaje y personajes**: se refiere a sí mismo como “simio mayor” y a su audiencia como “simiecitos y simiecitas”, repitiendo muletillas y juegos de palabras que la comunidad ya reconoce.\n- **Cercanía constante**: lee mensajes de voz que le mandan desde PlayStation, reacciona a edits, a imágenes random que la gente le envía (como ardillas\u002Fcapibaras y perros), y se ríe de los chistes internos.\n- **Autoparodia**:\n  - Se compara desfavorablemente con creadores que considera más guapos, como Marlon.\n  - Bromea con que su papá estuvo menos presente que Rubius en su vida digital.\n  - Se ríe de su propio “internet peruano” cuando hay lag.\n- **Ritmo alto, pero controlado**: aunque habla de tres canales diarios y múltiples colaboraciones, también se defiende frente a quienes le reclaman que “no prende tanto directo”, recordando que produce contenido a diario en varias plataformas.\n\nSu mudanza a Monterrey, el peso emocional de conocer a Rubius y participar en un proyecto de MrBeast, la gestión de comunidades enormes en Roblox y TikTok, y su relación con colegas como Mono Oaxaco se entrelazan en un solo directo donde Abraham mantiene la energía, la nostalgia gamer y la autoironía como ejes de su narrativa.\n\n---\n\n### Resumen final\n\nEn este directo, Abraham Flores combina anuncio personal y fanservice: regresa tras una semana ocupado entre mudanza a Monterrey y un viaje clave para grabar con MrBeast y conocer a Rubius, Ibai, Grefg y Quackity. Explica su nuevo ritmo de tres videos diarios en diferentes canales (Free Fire, Fortnite y Roblox), presume el éxito inesperado de un video de Free Fire y reflexiona sobre el peso emocional que tienen sus ídolos en su vida.\n\nEn Roblox, se sumerge primero en Roba un Brainrot junto a Mono Oaxaco, comentando la economía interna del juego, la rareza de brainrots como Hless Horman y las nuevas mecánicas de fusión y tradeo. Luego pasa al admin abuse de 99 Noches, donde descubre un contenido especial con cinemática, templo tipo Chichén Itzá y una criatura felina, todo envuelto en herramientas de administrador como hachas que matan de un golpe. Entre arreglos técnicos, chistes con el chat, nombres absurdos para NPCs y referencias a su “aura”, Abraham muestra el estilo que lo caracteriza: humor rápido, mucha interacción con la comunidad y una mezcla constante de nostalgia gamer y autoironía.","\u003Ch2>Regreso del “simio mayor” y mudanza a Monterrey\u003C\u002Fh2>\n\u003Cp>Abraham Flores, conocido como ElAbrahaham o el “simio mayor”, abre el directo explicando que llevaba una semana sin prender stream porque estaba ocupado grabando un video con MrBeast y mudándose a Monterrey. Entre disculpas y chistes con sus “simiecitos y simiecitas”, comenta que:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Ya está instalado en Monterrey, aún adaptándose al clima y haciendo bromas sobre estar “moquiento”.\u003C\u002Fli>\n\u003Cli>Estuvo un tiempo streameando casi solo en Twitch por contrato, pero ahora vuelve a YouTube y saluda de nuevo a la comunidad de ambas plataformas.\u003C\u002Fli>\n\u003Cli>Aclara, medio en broma, que si realmente hubiera ganado un millón de dólares con MrBeast quizá no estaría ahí, pero deja la intriga: “puede que lo haya ganado, puede que no, no les voy a spoilear”. Añade que, de ganar, ese dinero sería “para la comunidad”.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>El tono es el típico de Abraham: muy rápido, muy cercano al chat, agradeciendo suscripciones y donaciones, pero insistiendo en que “no es necesario” mientras juega con la expectativa del video con MrBeast.\u003C\u002Fp>\n\u003Ch2>Tres canales diarios, nuevas fotos de perfil y el boom de Free Fire\u003C\u002Fh2>\n\u003Cp>Abraham aprovecha para explicar cambios en su ecosistema de contenido. Señala que volvió a sus fotos de perfil antiguas porque está “volviendo a los orígenes” y porque ahora lleva una rutina muy concreta:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Sube video diario en \u003Cstrong>tres canales\u003C\u002Fstrong> a la vez:\n\u003Cul>\n\u003Cli>Un canal dedicado a \u003Cstrong>Free Fire\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003Cli>Un canal dedicado a \u003Cstrong>Fortnite\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003Cli>Su canal principal, donde sube principalmente \u003Cstrong>Roblox\u003C\u002Fstrong> y hace directos.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Cuenta que probó subir un gameplay de Free Fire a un canal “random” que tenía guardado. Sin anunciarlo en ningún lado, el video:\n\u003Cul>\n\u003Cli>Alcanzó alrededor de medio millón de vistas.\u003C\u002Fli>\n\u003Cli>Hizo que el canal ganara aproximadamente 20.000 suscriptores.\u003C\u002Fli>\n\u003Cli>Tiene miles de likes, pero el sistema no permite comentar, algo que él interpreta como un posible bug de YouTube.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Ese experimento refuerza su idea de que su audiencia responde incluso sin promoción directa. Lo narra riéndose de su propia suerte y jugando con la idea de que “YouTube está bugueado” porque no se pueden dejar comentarios en ese video.\u003C\u002Fp>\n\u003Ch2>Del TikTok brainrot a MrBeast: invitados, Rubius e Ibai\u003C\u002Fh2>\n\u003Cp>Una parte central del directo es el relato de su viaje a grabar con \u003Cstrong>MrBeast\u003C\u002Fstrong> y convivir con otros creadores gigantes. Sin entrar en spoilers específicos del video de MrBeast, Abraham cuenta sensaciones y anécdotas personales:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Dice abiertamente que conoció a \u003Cstrong>Rubius\u003C\u002Fstrong>, a quien llama su ídolo absoluto y una especie de figura paterna en lo creativo:\n\u003Cul>\n\u003Cli>Afirma que Rubius ha estado “en más comidas” con él que su propio padre, porque lo acompañó durante años a través de sus videos.\u003C\u002Fli>\n\u003Cli>Confiesa que se quedó con vergüenza al no decirle todo lo que quería, sintiendo que quizá Rubius solo lo vio como “un fan más”, cuando para Abraham fue alguien que “le cambió la vida”.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Menciona que también coincidió y convivió con:\n\u003Cul>\n\u003Cli>\u003Cstrong>Ibai\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>TheGrefg\u003C\u002Fstrong> (a quien ya conocía de antes, pero ahora en un contexto más formal y grabado)\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Quackity\u003C\u002Fstrong>, con quien se tomó fotos y a quien describe como alguien que casi nunca sonríe en fotos pese a ser muy enérgico en directo.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Marlon\u003C\u002Fstrong>, streamer con el que los fans lo comparaban físicamente desde que se cortó el cabello. Presume una foto juntos y bromea con que “Dios debió haberlo hecho así” de guapo.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>También habla de \u003Cstrong>Steak\u003C\u002Fstrong>, con quien dice tener ya una relación más de camaradas, saludándose cansados en el set.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Aunque evita spoilers del proyecto de MrBeast, deja claro que para él fueron “de los mejores días de su vida”, que todos los creadores que admiraba resultaron ser personas amables y accesibles, y que incluso le habría “gustado que uno le cayese mal” para que no fuera todo tan perfecto.\u003C\u002Fp>\n\u003Ch2>Roba un Brainrot, admins y secretos con Mono Oaxaco\u003C\u002Fh2>\n\u003Cp>El directo se centra luego en Roblox, especialmente en \u003Cstrong>Roba un Brainrot\u003C\u002Fstrong>, donde Abraham entra al juego acompañado de \u003Cstrong>Mono Oaxaco\u003C\u002Fstrong> (a quien él llama en broma “Mono me da asco”):\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Comenta que existe una comunidad dividida entre quienes ven sus videos editados y quienes solo siguen los directos. Lo comprueba preguntando por el nombre de un muñeco que aparece en sus otros canales; muchos sí lo reconocen y otros no.\u003C\u002Fli>\n\u003Cli>Hablan de la economía interna de Roba un Brainrot:\n\u003Cul>\n\u003Cli>Mono le explica que hay una lista filtrada de cuántos brainrots exclusivos existen.\u003C\u002Fli>\n\u003Cli>Menciona el \u003Cstrong>Hless Horman\u003C\u002Fstrong> como uno de los más raros: habría muy pocos ejemplares, incluso menos que de ciertos elefantes.\u003C\u002Fli>\n\u003Cli>Comentan que algunos jugadores como \u003Cstrong>Draconite\u003C\u002Fstrong> acumulan cantidades enormes de secretos (como decenas de elefantes), lo que altera el valor de ciertos ítems.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Abraham se interesa por la nueva \u003Cstrong>máquina de fusión\u003C\u002Fstrong> y las probabilidades de obtener brainrots raros usando brainrots de oro, preguntando si poner más mejora el porcentaje. Mono explica que sí se incrementa un poco la probabilidad de obtener versiones doradas.\u003C\u002Fli>\n\u003Cli>Bromean con el sistema de tradeo, los riesgos de estafa y casos como:\n\u003Cul>\n\u003Cli>Un niño que le cambió a Mono un dragón muy fuerte (mutado a 8–11 billones de fuerza) por un elefante más exclusivo.\u003C\u002Fli>\n\u003Cli>Abraham reflexiona que, aunque económicamente no parezca “justo”, muchos niños valoran el apego sentimental al ítem por encima de su rareza matemática.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Entre chistes, Abraham lanza un mensaje irónico a \u003Cstrong>Sami\u003C\u002Fstrong>, desarrollador de Roba un Brainrot, mezclando español e inglés para pedir que se una al servidor y participe en el admin abuse, asegurando que podrían hacer algo grande “para un video con dos millones de personas”.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>También se queja juguetonamente de que a veces teme que el juego muera, pero cada actualización (sobre todo la máquina de tradeos) lo revive y reactiva el interés de su comunidad.\u003C\u002Fp>\n\u003Ch2>Admin Abuse y nuevo contenido en 99 Noches\u003C\u002Fh2>\n\u003Cp>La otra gran mitad del directo gira en torno al \u003Cstrong>admin abuse de 99 Noches\u003C\u002Fstrong>, un juego de supervivencia en Roblox donde Abraham tiene un rol muy activo:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Entra al \u003Cstrong>evento de admin abuse\u003C\u002Fstrong>, donde los desarrolladores les otorgan herramientas especiales y contenidos temporales:\n\u003Cul>\n\u003Cli>Globos, pastelitos, decoraciones de “fiesta de actualización”.\u003C\u002Fli>\n\u003Cli>Objetos poderosos como un \u003Cstrong>hacha de administrador\u003C\u002Fstrong> devastadora.\u003C\u002Fli>\n\u003Cli>Barriles, globos gigantes y efectos que vuelven absurda la escala normal del juego.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Descubren una nueva \u003Cstrong>cinemática\u003C\u002Fstrong> y contenido tematizado con una especie de templo tipo \u003Cstrong>Chichén Itzá\u003C\u002Fstrong> (Abraham lo pronuncia en broma “chichinita”).\n\u003Cul>\n\u003Cli>Aparece un texto que habla de “juego salvaje” y de cortar árboles para alimentar una hoguera.\u003C\u002Fli>\n\u003Cli>Se insinúa la presencia de una \u003Cstrong>nueva criatura\u003C\u002Fstrong>, que Abraham y Mono describen como un gato\u002Fjaguar.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Abraham propone convertir eso en un video formal para YouTube:\n\u003Cul>\n\u003Cli>Pide al editor que, en la versión editada, inserte la cinemática “que acaban de ver”.\u003C\u002Fli>\n\u003Cli>Bromea con que Mono se adelanta y suelta spoilers sobre la criatura.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>En la práctica, juegan una partida usando las ventajas del admin abuse:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Tienen un \u003Cstrong>hacha de admin\u003C\u002Fstrong> capaz de:\n\u003Cul>\n\u003Cli>Tumbar árboles gigantes de un golpe.\u003C\u002Fli>\n\u003Cli>Matar lobos y osos también de un solo hachazo.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Abraham insiste en el concepto de \u003Cstrong>“aura”\u003C\u002Fstrong>:\n\u003Cul>\n\u003Cli>Pone música con playlists llamadas “Farmear Aura” o similares.\u003C\u002Fli>\n\u003Cli>Sincroniza golpes de hacha con la música para crear momentos “cinematográficos” que el chat celebra.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Rescatan niños NPC, a quienes van bautizando:\n\u003Cul>\n\u003Cli>Uno se llama “Don Juan” aunque es claramente un niño, lo que Mono encuentra absurdo.\u003C\u002Fli>\n\u003Cli>Otra se llama Pancha\u002FFrancisca.\u003C\u002Fli>\n\u003Cli>Otro lo nombran Roberto, momento que coincide con un efecto de sonido, y Abraham juega con que está “maldito”.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Todo esto mientras mantienen su dinámica de humor: Abraham regaña a Mono por forzar clips, por abrir cofres antes de rescatar niños y por hacer chistes demasiado obvios; Mono acepta el papel de “compañero caótico” y el chat alimenta la escena con comentarios.\u003C\u002Fp>\n\u003Ch2>Configuraciones técnicas, PlayStation y TikTok\u003C\u002Fh2>\n\u003Cp>En medio de la partida, Abraham va resolviendo problemas técnicos en directo, lo que da una mirada a su flujo de trabajo como streamer:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Juega a veces desde \u003Cstrong>PlayStation 5\u003C\u002Fstrong> usando capturadora, lo que le impide entrar directamente a servidores privados, así que:\n\u003Cul>\n\u003Cli>Usa una \u003Cstrong>cuenta secundaria en el teléfono\u003C\u002Fstrong> para entrar a los servidores privados y luego unirse desde la consola.\u003C\u002Fli>\n\u003Cli>Ajusta en vivo el sistema de notificaciones de PS5 para seguir viendo mensajes pero silenciando sus sonidos.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Comenta problemas de rendimiento:\n\u003Cul>\n\u003Cli>Dice que está streameando y jugando en la misma PC y teme que “explote”.\u003C\u002Fli>\n\u003Cli>Baja y sube configuración gráfica en Roblox para evitar lag.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>Desde TikTok le aparece un mensaje de advertencia de sobrecarga de ordenador, que lee en voz alta y transforma en broma.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Además, muestra cómo gestiona la moderación y la relación con el chat:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Explica que ya casi no manda saludos gratuitos improvisados porque prefiere vender saludos personalizados a través de su página, donde puede grabarlos con más calma y “con cariño”.\u003C\u002Fli>\n\u003Cli>Aclara que muchos de sus espectadores son niños y que no le gusta darles saludos “sin ganas” en medio del caos del directo, aunque de vez en cuando concede alguno breve.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Ch2>El estilo de Abraham Flores: comunidad, nostalgia y autoironía\u003C\u002Fh2>\n\u003Cp>A lo largo del directo se reconoce fácilmente el estilo de Abraham Flores, que lo ha convertido en una figura destacada del streaming en español:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>Lenguaje y personajes\u003C\u002Fstrong>: se refiere a sí mismo como “simio mayor” y a su audiencia como “simiecitos y simiecitas”, repitiendo muletillas y juegos de palabras que la comunidad ya reconoce.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Cercanía constante\u003C\u002Fstrong>: lee mensajes de voz que le mandan desde PlayStation, reacciona a edits, a imágenes random que la gente le envía (como ardillas\u002Fcapibaras y perros), y se ríe de los chistes internos.\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Autoparodia\u003C\u002Fstrong>:\n\u003Cul>\n\u003Cli>Se compara desfavorablemente con creadores que considera más guapos, como Marlon.\u003C\u002Fli>\n\u003Cli>Bromea con que su papá estuvo menos presente que Rubius en su vida digital.\u003C\u002Fli>\n\u003Cli>Se ríe de su propio “internet peruano” cuando hay lag.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Ritmo alto, pero controlado\u003C\u002Fstrong>: aunque habla de tres canales diarios y múltiples colaboraciones, también se defiende frente a quienes le reclaman que “no prende tanto directo”, recordando que produce contenido a diario en varias plataformas.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Su mudanza a Monterrey, el peso emocional de conocer a Rubius y participar en un proyecto de MrBeast, la gestión de comunidades enormes en Roblox y TikTok, y su relación con colegas como Mono Oaxaco se entrelazan en un solo directo donde Abraham mantiene la energía, la nostalgia gamer y la autoironía como ejes de su narrativa.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch3>Resumen final\u003C\u002Fh3>\n\u003Cp>En este directo, Abraham Flores combina anuncio personal y fanservice: regresa tras una semana ocupado entre mudanza a Monterrey y un viaje clave para grabar con MrBeast y conocer a Rubius, Ibai, Grefg y Quackity. Explica su nuevo ritmo de tres videos diarios en diferentes canales (Free Fire, Fortnite y Roblox), presume el éxito inesperado de un video de Free Fire y reflexiona sobre el peso emocional que tienen sus ídolos en su vida.\u003C\u002Fp>\n\u003Cp>En Roblox, se sumerge primero en Roba un Brainrot junto a Mono Oaxaco, comentando la economía interna del juego, la rareza de brainrots como Hless Horman y las nuevas mecánicas de fusión y tradeo. Luego pasa al admin abuse de 99 Noches, donde descubre un contenido especial con cinemática, templo tipo Chichén Itzá y una criatura felina, todo envuelto en herramientas de administrador como hachas que matan de un golpe. Entre arreglos técnicos, chistes con el chat, nombres absurdos para NPCs y referencias a su “aura”, Abraham muestra el estilo que lo caracteriza: humor rápido, mucha interacción con la comunidad y una mezcla constante de nostalgia gamer y autoironía.\u003C\u002Fp>\n","admin-abuse-brainrot-y-gatos-en-la-piramide-el-caotico-directo-de-abraham-flores","admin-abuse-brainrot-y-gatos-en-la-piramide-el-caotico-directo-de-abraham-flores\u002F01KK6Q4E2AYVE8PR92Q34MDSM6",[],[],[],[],[223,224],{"type":28,"text":213,"locale":29},{"type":31,"text":214,"locale":29},[226,233],{"id":227,"ulid":228,"post_id":229,"type":230,"path":231,"url":231,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":43,"size":43,"width":43,"height":43,"duration":43,"hash":43,"metadata":43,"created_at":232,"updated_at":232},93,"01KK6Q4EKDCJR37J63D977K2KV",50,"embed","https:\u002F\u002Fwww.youtube.com\u002Flive\u002FVv4HVWhs7fg","2026-03-08T12:35:41.000000Z",{"id":234,"ulid":235,"post_id":229,"type":37,"path":236,"url":237,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":238,"width":239,"height":240,"duration":43,"hash":241,"variant_base_url":48,"metadata":43,"created_at":242,"updated_at":242},94,"01KK6Q4ENVSDQB16H4G4DT4K6Q","posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK6Q4ENVSDQB16H4G4DT4K6Q.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK6Q4ENVSDQB16H4G4DT4K6Q.jpg",185483,1280,720,"b6de48eecfeffcdb4c71e4e994a87e475633ddde3b8da9d624b4e19dbeced4f8","2026-03-08T12:35:43.000000Z",[244],{"ulid":245,"title":246,"content":247,"content_html":248,"slug":249,"slug_plain":249,"canonical_url":250,"texts":251,"type":7},"01KK6Q37TBKZN767A2BNKZQN0J","Abraham Flores","Abraham Flores, conocido en línea como ElAbrahaham, es un creador de contenido y streamer mexicano centrado principalmente en videojuegos y contenido humorístico. Ha construido una comunidad muy activa en español, a la que se refiere con apodos como “simiecitos” y “simiecitas”, y suele interactuar de forma cercana durante sus transmisiones en vivo.\n\nEn YouTube publica videos y directos de títulos como Roblox, Free Fire, Fortnite y Poppy Playtime, además de subir shorts y clips de sus momentos más virales. Complementa este contenido con transmisiones en otras plataformas, donde realiza colaboraciones con otros creadores y participa en tendencias y retos populares dentro de la comunidad gaming.\n\nFlores ha diversificado su presencia con varios canales dedicados a distintos juegos, manteniendo una alta frecuencia de publicación. Su estilo se caracteriza por un humor expresivo, referencias constantes a su propia comunidad y una dinámica de agradecimientos a sus suscriptores y seguidores, lo que refuerza el sentido de pertenencia entre quienes lo siguen.","\u003Cp>Abraham Flores, conocido en línea como ElAbrahaham, es un creador de contenido y streamer mexicano centrado principalmente en videojuegos y contenido humorístico. Ha construido una comunidad muy activa en español, a la que se refiere con apodos como “simiecitos” y “simiecitas”, y suele interactuar de forma cercana durante sus transmisiones en vivo.\u003C\u002Fp>\n\u003Cp>En YouTube publica videos y directos de títulos como Roblox, Free Fire, Fortnite y Poppy Playtime, además de subir shorts y clips de sus momentos más virales. Complementa este contenido con transmisiones en otras plataformas, donde realiza colaboraciones con otros creadores y participa en tendencias y retos populares dentro de la comunidad gaming.\u003C\u002Fp>\n\u003Cp>Flores ha diversificado su presencia con varios canales dedicados a distintos juegos, manteniendo una alta frecuencia de publicación. Su estilo se caracteriza por un humor expresivo, referencias constantes a su propia comunidad y una dinámica de agradecimientos a sus suscriptores y seguidores, lo que refuerza el sentido de pertenencia entre quienes lo siguen.\u003C\u002Fp>\n","abraham-flores","abraham-flores\u002F01KK6Q37TBKZN767A2BNKZQN0J",[252,253],{"type":28,"text":246,"locale":29},{"type":31,"text":247,"locale":29},{"ulid":52,"name":53,"avatar":54},"2026-03-08T12:35:40.000000Z",{"data":257,"links":352,"meta":353},[258,271,300,329],{"ulid":6,"type":7,"title":8,"content":9,"content_html":10,"slug":11,"slug_plain":11,"canonical_url":12,"social_links":259,"creator_focuses":261,"creator_focus_codes":262,"creator_focus_labels":263,"texts":264,"media":267,"related":269,"user":270,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":55,"updated_at":55},[260],{"network":15,"url":16},[18,19,20],[22,23,24],{"food":18,"music":19,"comedy":20},[265,266],{"type":28,"text":8,"locale":29},{"type":31,"text":9,"locale":29},[268],{"id":34,"ulid":35,"post_id":36,"type":37,"path":38,"url":39,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":45,"width":46,"height":46,"duration":43,"hash":47,"variant_base_url":48,"metadata":43,"created_at":49,"updated_at":49},[],{"ulid":52,"name":53,"avatar":54},{"ulid":272,"type":7,"title":273,"content":274,"content_html":275,"slug":276,"slug_plain":276,"canonical_url":277,"social_links":278,"creator_focuses":281,"creator_focus_codes":282,"creator_focus_labels":283,"texts":284,"media":287,"related":297,"user":298,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":299,"updated_at":299},"01KK7HY9TW5YEZQDT6T5SNJYXR","Rick Astley","Rick Astley is an English singer, songwriter, and musician best known for his 1987 hit single \"Never Gonna Give You Up.\" Born on 6 February 1966 in Warrington, Cheshire, England, he first gained attention in the late 1980s with a series of chart-topping pop singles characterized by his deep, soulful voice.\n\n\"Never Gonna Give You Up\" became his signature song, reaching number one in multiple countries and remaining closely associated with his public image. The track later found renewed cultural prominence in the mid-2000s through the \"Rickrolling\" internet meme, which unexpectedly linked users to the song’s music video and introduced Astley's work to a new generation.\n\nBeyond this signature hit, Astley has continued to record and perform, releasing albums and touring internationally. His catalog spans upbeat dance-pop, soulful ballads, and more mature pop material, reflecting a career that has evolved well beyond his initial late-1980s breakthrough.","\u003Cp>Rick Astley is an English singer, songwriter, and musician best known for his 1987 hit single "Never Gonna Give You Up." Born on 6 February 1966 in Warrington, Cheshire, England, he first gained attention in the late 1980s with a series of chart-topping pop singles characterized by his deep, soulful voice.\u003C\u002Fp>\n\u003Cp>"Never Gonna Give You Up" became his signature song, reaching number one in multiple countries and remaining closely associated with his public image. The track later found renewed cultural prominence in the mid-2000s through the "Rickrolling" internet meme, which unexpectedly linked users to the song’s music video and introduced Astley's work to a new generation.\u003C\u002Fp>\n\u003Cp>Beyond this signature hit, Astley has continued to record and perform, releasing albums and touring internationally. His catalog spans upbeat dance-pop, soulful ballads, and more mature pop material, reflecting a career that has evolved well beyond his initial late-1980s breakthrough.\u003C\u002Fp>\n","rick-astley","rick-astley\u002F01KK7HY9TW5YEZQDT6T5SNJYXR",[279],{"network":15,"url":280},"https:\u002F\u002Fwww.youtube.com\u002F@RickAstleyYT",[19,118,20],[23,117,24],{"music":19,"art":118,"comedy":20},[285,286],{"type":28,"text":273,"locale":29},{"type":31,"text":274,"locale":29},[288],{"id":289,"ulid":290,"post_id":291,"type":37,"path":292,"url":293,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":294,"width":46,"height":46,"duration":43,"hash":295,"variant_base_url":48,"metadata":43,"created_at":296,"updated_at":296},100,"01KK7HYAQFR4585ASBZFWW9QDE",54,"posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HYAQFR4585ASBZFWW9QDE.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HYAQFR4585ASBZFWW9QDE.jpg",126833,"8a29662d54c2d171d5a22e695561866e8854a660283c34c0c3eb476067af4f5b","2026-03-08T20:24:14.000000Z",[],{"ulid":52,"name":53,"avatar":54},"2026-03-08T20:24:11.000000Z",{"ulid":301,"type":7,"title":302,"content":303,"content_html":304,"slug":305,"slug_plain":305,"canonical_url":306,"social_links":307,"creator_focuses":310,"creator_focus_codes":311,"creator_focus_labels":312,"texts":313,"media":316,"related":326,"user":327,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":328,"updated_at":328},"01KK7HD82AZQCAKPPV88V3BGBT","Matthew Armstrong","Mat Armstrong is a British YouTuber and automotive content creator known for rebuilding and modifying damaged performance and luxury cars. Based in Leicester, United Kingdom, he previously competed as a professional BMX rider before focusing full-time on his online automotive projects.\n\nOn his YouTube channel, Armstrong documents in detail the process of purchasing, diagnosing, repairing, and upgrading heavily damaged vehicles, often working with specialist engineers and machine shops. His content emphasizes problem-solving, mechanical learning, and transparency about costs, risks, and setbacks involved in complex rebuilds.\n\nArmstrong has attracted particular attention for tackling ambitious projects involving high-end supercars, including attempts to restore vehicles that manufacturers are unwilling to support with parts. Through these builds, he highlights the technical, financial, and regulatory challenges of returning such cars to the road while engaging an audience interested in engineering and car culture.\n\nSelected themes on his channel include:\n- Rebuilding written-off and salvaged performance cars\n- Collaborating with machinists, fabricators, and other specialists\n- Exploring the limits of what can be achieved outside a factory workshop\n- Sharing the learning process behind advanced mechanical repairs","\u003Cp>Mat Armstrong is a British YouTuber and automotive content creator known for rebuilding and modifying damaged performance and luxury cars. Based in Leicester, United Kingdom, he previously competed as a professional BMX rider before focusing full-time on his online automotive projects.\u003C\u002Fp>\n\u003Cp>On his YouTube channel, Armstrong documents in detail the process of purchasing, diagnosing, repairing, and upgrading heavily damaged vehicles, often working with specialist engineers and machine shops. His content emphasizes problem-solving, mechanical learning, and transparency about costs, risks, and setbacks involved in complex rebuilds.\u003C\u002Fp>\n\u003Cp>Armstrong has attracted particular attention for tackling ambitious projects involving high-end supercars, including attempts to restore vehicles that manufacturers are unwilling to support with parts. Through these builds, he highlights the technical, financial, and regulatory challenges of returning such cars to the road while engaging an audience interested in engineering and car culture.\u003C\u002Fp>\n\u003Cp>Selected themes on his channel include:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Rebuilding written-off and salvaged performance cars\u003C\u002Fli>\n\u003Cli>Collaborating with machinists, fabricators, and other specialists\u003C\u002Fli>\n\u003Cli>Exploring the limits of what can be achieved outside a factory workshop\u003C\u002Fli>\n\u003Cli>Sharing the learning process behind advanced mechanical repairs\u003C\u002Fli>\n\u003C\u002Ful>\n","matthew-armstrong","matthew-armstrong\u002F01KK7HD82AZQCAKPPV88V3BGBT",[308],{"network":15,"url":309},"https:\u002F\u002Fwww.youtube.com\u002F@MatArmstrongbmx",[208,177,128,183,186],[207,176,127,182,185],{"automotive":208,"tech":177,"design":128,"business":183,"finance":186},[314,315],{"type":28,"text":302,"locale":29},{"type":31,"text":303,"locale":29},[317],{"id":318,"ulid":319,"post_id":320,"type":37,"path":321,"url":322,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":323,"width":46,"height":46,"duration":43,"hash":324,"variant_base_url":48,"metadata":43,"created_at":325,"updated_at":325},95,"01KK7HD8TB296AV2PD1CRPT8K8",51,"posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HD8TB296AV2PD1CRPT8K8.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HD8TB296AV2PD1CRPT8K8.jpg",230197,"15a56b7171fa2c5fbe1a2b63a81f127acb4305d9a76d766ca0fec43e5587689c","2026-03-08T20:14:54.000000Z",[],{"ulid":52,"name":53,"avatar":54},"2026-03-08T20:14:52.000000Z",{"ulid":245,"type":7,"title":246,"content":247,"content_html":248,"slug":249,"slug_plain":249,"canonical_url":250,"social_links":330,"creator_focuses":333,"creator_focus_codes":334,"creator_focus_labels":335,"texts":336,"media":339,"related":349,"user":350,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":351,"updated_at":351},[331],{"network":15,"url":332},"https:\u002F\u002Fwww.youtube.com\u002F@ElAbrahaham",[137,20],[136,24],{"gaming":137,"comedy":20},[337,338],{"type":28,"text":246,"locale":29},{"type":31,"text":247,"locale":29},[340],{"id":341,"ulid":342,"post_id":343,"type":37,"path":344,"url":345,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":346,"width":46,"height":46,"duration":43,"hash":347,"variant_base_url":48,"metadata":43,"created_at":348,"updated_at":348},92,"01KK6Q38DYD0XC4CY66VQ4S6JZ",49,"posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK6Q38DYD0XC4CY66VQ4S6JZ.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK6Q38DYD0XC4CY66VQ4S6JZ.jpg",113338,"7edbd200ae3a805bffc9331c83f9ffff1492940c34ee3f0275ed80f53dbaa05c","2026-03-08T12:35:04.000000Z",[],{"ulid":52,"name":53,"avatar":54},"2026-03-08T12:35:01.000000Z",{"first":57,"last":85,"prev":43,"next":59},{"current_page":61,"from":61,"last_page":87,"links":354,"path":114,"per_page":79,"to":79,"total":62,"focus_area_options":363},[355,356,357,358,359,360,361,362],{"url":43,"label":65,"page":43,"active":41},{"url":57,"label":67,"page":61,"active":68},{"url":59,"label":70,"page":71,"active":41},{"url":73,"label":74,"page":75,"active":41},{"url":77,"label":78,"page":79,"active":41},{"url":81,"label":82,"page":83,"active":41},{"url":85,"label":86,"page":87,"active":41},{"url":59,"label":113,"page":71,"active":41},[364,365,366,367,368,369,370,371,372,373,374,375,376,377,378,379,380,381,382,383,384,385,386,387,388,389,390,391,392,393,394,395,396],{"code":117,"label":118},{"code":120,"label":121},{"code":123,"label":124},{"code":24,"label":20},{"code":127,"label":128},{"code":130,"label":131},{"code":133,"label":134},{"code":136,"label":137},{"code":139,"label":140},{"code":142,"label":143},{"code":145,"label":146},{"code":148,"label":149},{"code":151,"label":152},{"code":154,"label":155},{"code":157,"label":158},{"code":160,"label":161},{"code":163,"label":164},{"code":166,"label":167},{"code":23,"label":19},{"code":170,"label":171},{"code":173,"label":174},{"code":176,"label":177},{"code":179,"label":180},{"code":182,"label":183},{"code":185,"label":186},{"code":188,"label":189},{"code":191,"label":192},{"code":194,"label":195},{"code":197,"label":198},{"code":22,"label":18},{"code":201,"label":202},{"code":204,"label":205},{"code":207,"label":208},{"data":398,"links":481,"meta":483},[399,435,468],{"ulid":400,"type":212,"title":401,"content":402,"content_html":403,"slug":404,"slug_plain":404,"canonical_url":405,"social_links":406,"creator_focuses":407,"creator_focus_codes":408,"creator_focus_labels":409,"texts":410,"media":413,"related":429,"user":434,"likes_count":61,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":420,"updated_at":420},"01KK7SASWHAEVR4WJ84GGNDA2K","How To Make Pasta Al Dente - Lionfield (OFFICIAL VIDEO) lyrics","Take your pasta and put it in a boiling pot\nIt doesn't matter which shape you got\nLong or short, I really don't care\nBut if you pick spaghetti, don't you dare to break them in\nWe will call the police soon\n\nCheck your clock and stir every now and then\nDon't pour the olive oil in the water because it's a scam\nAnd when it's almost ready, take your food, a spoon\nTaste a piece or two\nPlease don't let it overcook\n\nPasta must be al dente\nAs long as you remember to take it out the water on time\nWater on time\n\nOnce I heard that some people from all over the world\nThrow their spaghetti on the wall and if they stick they think it's ready\nGod forgives them but I don't\nAnyway, if you check the box you find the cooking time\nWhile it's so damn wrong\nThe secret is to taste it over and over until it's almost ready\nOtherwise, you're going to make it awful\n\nIt must be al dente\nAs long as you remember to take it out the water on time\nIt must be al dente\nAs long as you remember to take it out the water on time\nApproved","\u003Cp>Take your pasta and put it in a boiling pot\nIt doesn't matter which shape you got\nLong or short, I really don't care\nBut if you pick spaghetti, don't you dare to break them in\nWe will call the police soon\u003C\u002Fp>\n\u003Cp>Check your clock and stir every now and then\nDon't pour the olive oil in the water because it's a scam\nAnd when it's almost ready, take your food, a spoon\nTaste a piece or two\nPlease don't let it overcook\u003C\u002Fp>\n\u003Cp>Pasta must be al dente\nAs long as you remember to take it out the water on time\nWater on time\u003C\u002Fp>\n\u003Cp>Once I heard that some people from all over the world\nThrow their spaghetti on the wall and if they stick they think it's ready\nGod forgives them but I don't\nAnyway, if you check the box you find the cooking time\nWhile it's so damn wrong\nThe secret is to taste it over and over until it's almost ready\nOtherwise, you're going to make it awful\u003C\u002Fp>\n\u003Cp>It must be al dente\nAs long as you remember to take it out the water on time\nIt must be al dente\nAs long as you remember to take it out the water on time\nApproved\u003C\u002Fp>\n","how-to-make-pasta-al-dente-lionfield-official-video-lyrics","how-to-make-pasta-al-dente-lionfield-official-video-lyrics\u002F01KK7SASWHAEVR4WJ84GGNDA2K",[],[],[],[],[411,412],{"type":28,"text":401,"locale":29},{"type":31,"text":402,"locale":29},[414,421],{"id":415,"ulid":416,"post_id":417,"type":230,"path":418,"url":419,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":43,"size":43,"width":43,"height":43,"duration":43,"hash":43,"metadata":43,"created_at":420,"updated_at":420},118,"01KK7SATB75PAP9CW5WP0CQXFC",63,"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=qcuQ3jJF9pw","https:\u002F\u002Fwww.youtube-nocookie.com\u002Fembed\u002FqcuQ3jJF9pw","2026-03-08T22:33:21.000000Z",{"id":422,"ulid":423,"post_id":417,"type":37,"path":424,"url":425,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":426,"width":239,"height":240,"duration":43,"hash":427,"variant_base_url":48,"metadata":43,"created_at":428,"updated_at":428},119,"01KK7SATCSRM06W765EYBJNB2P","posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7SATCSRM06W765EYBJNB2P.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7SATCSRM06W765EYBJNB2P.jpg",262033,"ab29054219fe8e9372789c7768683aa28f30875c7d0b24c02edd5bc9ae3762d5","2026-03-08T22:33:23.000000Z",[430],{"ulid":6,"title":8,"content":9,"content_html":10,"slug":11,"slug_plain":11,"canonical_url":12,"texts":431,"type":7},[432,433],{"type":28,"text":8,"locale":29},{"type":31,"text":9,"locale":29},{"ulid":52,"name":53,"avatar":54},{"ulid":436,"type":212,"title":437,"content":438,"content_html":439,"slug":440,"slug_plain":440,"canonical_url":441,"social_links":442,"creator_focuses":443,"creator_focus_codes":444,"creator_focus_labels":445,"texts":446,"media":449,"related":461,"user":466,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":467,"updated_at":467},"01KK7S4R8N7FP309E9BC1VGFND","How Lionfield Teaches You To Make Perfect Pasta Al Dente (Without Throwing It at the Wall)","## Who Are Lionfield and What Is This Pasta Song?\n\nLionfield, the Italian duo of Matteo Salvatori and Emiliano Santoro, are known online as comedic \"pasta protectors\" who defend Italian food traditions. In their official video **\"How To Make Pasta Al Dente\"**, they turn a how‑to guide into a full song, mixing serious cooking advice with playful warnings about what *not* to do.\n\nThe lyrics walk through the steps of cooking pasta al dente while poking fun at common mistakes, especially those made outside Italy. Beneath the comedy, though, they give a straightforward, practical method you can actually follow.\n\n---\n\n## Choosing and Adding the Pasta\n\nLionfield start with the basics: getting the pasta into a properly boiling pot.\n\nKey ideas from the song:\n\n- **Shape doesn’t matter for doneness**  \n  > \"It doesn't matter which shape you got \u002F Long or short, I really don't care\"\n  \n  Any dry pasta shape can be cooked al dente as long as you watch the time and texture.\n\n- **But don’t break spaghetti**  \n  > \"But if you pick spaghetti, don't you dare to break them in \u002F We will call the police soon.\"\n\n  This is a classic Italian pet peeve: breaking long pasta like spaghetti before cooking. Lionfield exaggerate with the \"police\" joke, but it underlines an authentic cultural preference—keep long pasta long.\n\n- **Use a boiling pot of water**  \n  > \"Take your pasta and put it in a boiling pot\"\n\n  The water should already be at a full boil before you add the pasta, so it starts cooking evenly and doesn’t turn gummy.\n\n---\n\n## What *Not* to Do: Olive Oil and Wall Tests\n\nThe video calls out two common myths in a pretty direct way.\n\n- **Don’t add olive oil to the water**  \n  > \"Don't pour the olive oil in the water because it's a scam.\"\n\n  The idea that oil in the water keeps pasta from sticking is widely repeated but misleading. Lionfield label it a \"scam\" in the lyrics. The actual sticking problem is better handled by:\n  - using enough water\n  - keeping the water at a strong boil\n  - stirring the pasta in the first minutes\n\n- **Don’t throw pasta at the wall**  \n  > \"Once I heard that some people from all over the world throw their spet on the wall and if they stick they think it's ready. God forgives them but I don't.\"\n\n  The \"throwing spaghetti at the wall\" test is another myth. In the song, they treat it almost like a culinary sin. Sticking to a wall doesn’t reliably indicate al dente; it mostly means the surface is starchy.\n\nTheir alternative: read the box, then rely on tasting, not tricks.\n\n---\n\n## Timing, Tasting, and the Box Instructions\n\nA big focus of the song is that al dente is about **timing and tasting**.\n\n- **Check the clock, but don’t worship it**  \n  > \"Check your clock and ste every now and then\"  \n  > \"If you check the box you find the cooking time while it's soft and wrong.\"\n\n  The package gives an approximate cooking time. Lionfield point out it’ll get *soft* if you follow it blindly. Their message: use it as a guideline, not a guarantee.\n\n- **Taste as you go**  \n  > \"And when it's almost ready, take your food a spoon \u002F Taste a piece or two \u002F Please don't let it overcook.\"  \n  > \"The secret is to taste it over and over until it's almost ready.\"\n\n  Their main rule: keep tasting. Pull out a piece, bite it, judge the texture yourself rather than trusting a wall or just the printed time.\n\n- **Stop before it goes too far**  \n  > \"Otherwise, you're going to make it over.\"\n\n  \"Over\" here is shorthand for overcooked: soft, mushy pasta that Italians generally want to avoid.\n\n---\n\n## What “Al Dente” Means in Practice\n\nThe chorus repeats the core target:\n\n> \"Pasta must be al dente \u002F As long as you remember to take it out the water on time.\"\n\nFrom the lyrics, the practical definition is:\n\n- **Slight bite, not crunchy and not mushy**  \n  It should be cooked through but still have firmness when you bite it.\n\n- **No wall tests, no tricks**  \n  You judge al dente by **tasting**, not sticking it to a wall or watching for gimmicks.\n\nWhile the transcript doesn’t mention it explicitly, Lionfield’s broader pasta content often highlights that al dente preserves texture and avoids the soggy, overcooked results they frequently react to in their comedy shorts.\n\n---\n\n## Simple Step‑By‑Step: Lionfield’s Al Dente Method\n\nSummarizing the method described in the song:\n\n1. **Boil water in a large pot.**  \n   Wait until it’s fully boiling.\n\n2. **Add the pasta.**  \n   - Any shape is fine.  \n   - If it’s spaghetti, keep it whole—don’t break it.\n\n3. **Do *not* add olive oil to the water.**  \n   They call this a scam and skip it entirely.\n\n4. **Check the suggested time on the box.**  \n   Use it as a starting point for when to begin tasting.\n\n5. **Taste repeatedly near the end.**  \n   - Use a spoon or fork to take out a piece.  \n   - Bite and check the texture.  \n   - Repeat \"over and over until it's almost ready.\"\n\n6. **Remove from water on time.**  \n   - As soon as it reaches that firm, not‑mushy bite, drain it.  \n   - Leaving it in the water is what ruins al dente.\n\nThroughout the song, Lionfield return to the same condition: **\"take it out the water on time.\"** That, for them, is the whole secret.\n\n---\n\n## Summary: Comedy with Real Pasta Rules\n\nIn **\"How To Make Pasta Al Dente\"**, Lionfield fold real Italian cooking advice into a humorous music video. The main points tied to the lyrics are:\n\n- Use a boiling pot of water and any pasta shape you like.\n- Don’t break spaghetti if you care about Italian sensibilities.\n- Skip olive oil in the water—it won’t save your pasta.\n- Ignore wall‑throwing tests; they’re not a real measure of doneness.\n- Read the box for guidance, then rely on repeated tasting.\n- Drain the pasta as soon as it reaches a firm, al dente bite.\n\nBehind the jokes about calling the police and divine forgiveness, Lionfield present a straightforward, taste‑focused method: **watch the clock, trust your palate, and rescue the pasta from the water at just the right moment.**","\u003Ch2>Who Are Lionfield and What Is This Pasta Song?\u003C\u002Fh2>\n\u003Cp>Lionfield, the Italian duo of Matteo Salvatori and Emiliano Santoro, are known online as comedic "pasta protectors" who defend Italian food traditions. In their official video \u003Cstrong>"How To Make Pasta Al Dente"\u003C\u002Fstrong>, they turn a how‑to guide into a full song, mixing serious cooking advice with playful warnings about what \u003Cem>not\u003C\u002Fem> to do.\u003C\u002Fp>\n\u003Cp>The lyrics walk through the steps of cooking pasta al dente while poking fun at common mistakes, especially those made outside Italy. Beneath the comedy, though, they give a straightforward, practical method you can actually follow.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Choosing and Adding the Pasta\u003C\u002Fh2>\n\u003Cp>Lionfield start with the basics: getting the pasta into a properly boiling pot.\u003C\u002Fp>\n\u003Cp>Key ideas from the song:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Shape doesn’t matter for doneness\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"It doesn't matter which shape you got \u002F Long or short, I really don't care"\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>Any dry pasta shape can be cooked al dente as long as you watch the time and texture.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>But don’t break spaghetti\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"But if you pick spaghetti, don't you dare to break them in \u002F We will call the police soon."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>This is a classic Italian pet peeve: breaking long pasta like spaghetti before cooking. Lionfield exaggerate with the "police" joke, but it underlines an authentic cultural preference—keep long pasta long.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Use a boiling pot of water\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Take your pasta and put it in a boiling pot"\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The water should already be at a full boil before you add the pasta, so it starts cooking evenly and doesn’t turn gummy.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Chr \u002F>\n\u003Ch2>What \u003Cem>Not\u003C\u002Fem> to Do: Olive Oil and Wall Tests\u003C\u002Fh2>\n\u003Cp>The video calls out two common myths in a pretty direct way.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Don’t add olive oil to the water\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Don't pour the olive oil in the water because it's a scam."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The idea that oil in the water keeps pasta from sticking is widely repeated but misleading. Lionfield label it a "scam" in the lyrics. The actual sticking problem is better handled by:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>using enough water\u003C\u002Fli>\n\u003Cli>keeping the water at a strong boil\u003C\u002Fli>\n\u003Cli>stirring the pasta in the first minutes\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Don’t throw pasta at the wall\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Once I heard that some people from all over the world throw their spet on the wall and if they stick they think it's ready. God forgives them but I don't."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The "throwing spaghetti at the wall" test is another myth. In the song, they treat it almost like a culinary sin. Sticking to a wall doesn’t reliably indicate al dente; it mostly means the surface is starchy.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Their alternative: read the box, then rely on tasting, not tricks.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Timing, Tasting, and the Box Instructions\u003C\u002Fh2>\n\u003Cp>A big focus of the song is that al dente is about \u003Cstrong>timing and tasting\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Check the clock, but don’t worship it\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Check your clock and ste every now and then"\u003Cbr \u002F>\n"If you check the box you find the cooking time while it's soft and wrong."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The package gives an approximate cooking time. Lionfield point out it’ll get \u003Cem>soft\u003C\u002Fem> if you follow it blindly. Their message: use it as a guideline, not a guarantee.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Taste as you go\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"And when it's almost ready, take your food a spoon \u002F Taste a piece or two \u002F Please don't let it overcook."\u003Cbr \u002F>\n"The secret is to taste it over and over until it's almost ready."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>Their main rule: keep tasting. Pull out a piece, bite it, judge the texture yourself rather than trusting a wall or just the printed time.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Stop before it goes too far\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Otherwise, you're going to make it over."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>"Over" here is shorthand for overcooked: soft, mushy pasta that Italians generally want to avoid.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Chr \u002F>\n\u003Ch2>What “Al Dente” Means in Practice\u003C\u002Fh2>\n\u003Cp>The chorus repeats the core target:\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Pasta must be al dente \u002F As long as you remember to take it out the water on time."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>From the lyrics, the practical definition is:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Slight bite, not crunchy and not mushy\u003C\u002Fstrong>\u003Cbr \u002F>\nIt should be cooked through but still have firmness when you bite it.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>No wall tests, no tricks\u003C\u002Fstrong>\u003Cbr \u002F>\nYou judge al dente by \u003Cstrong>tasting\u003C\u002Fstrong>, not sticking it to a wall or watching for gimmicks.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>While the transcript doesn’t mention it explicitly, Lionfield’s broader pasta content often highlights that al dente preserves texture and avoids the soggy, overcooked results they frequently react to in their comedy shorts.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Simple Step‑By‑Step: Lionfield’s Al Dente Method\u003C\u002Fh2>\n\u003Cp>Summarizing the method described in the song:\u003C\u002Fp>\n\u003Col>\n\u003Cli>\n\u003Cp>\u003Cstrong>Boil water in a large pot.\u003C\u002Fstrong>\u003Cbr \u002F>\nWait until it’s fully boiling.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Add the pasta.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Any shape is fine.\u003C\u002Fli>\n\u003Cli>If it’s spaghetti, keep it whole—don’t break it.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Do \u003Cem>not\u003C\u002Fem> add olive oil to the water.\u003C\u002Fstrong>\u003Cbr \u002F>\nThey call this a scam and skip it entirely.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Check the suggested time on the box.\u003C\u002Fstrong>\u003Cbr \u002F>\nUse it as a starting point for when to begin tasting.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Taste repeatedly near the end.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Use a spoon or fork to take out a piece.\u003C\u002Fli>\n\u003Cli>Bite and check the texture.\u003C\u002Fli>\n\u003Cli>Repeat "over and over until it's almost ready."\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Remove from water on time.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>As soon as it reaches that firm, not‑mushy bite, drain it.\u003C\u002Fli>\n\u003Cli>Leaving it in the water is what ruins al dente.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003C\u002Fol>\n\u003Cp>Throughout the song, Lionfield return to the same condition: \u003Cstrong>"take it out the water on time."\u003C\u002Fstrong> That, for them, is the whole secret.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Summary: Comedy with Real Pasta Rules\u003C\u002Fh2>\n\u003Cp>In \u003Cstrong>"How To Make Pasta Al Dente"\u003C\u002Fstrong>, Lionfield fold real Italian cooking advice into a humorous music video. The main points tied to the lyrics are:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Use a boiling pot of water and any pasta shape you like.\u003C\u002Fli>\n\u003Cli>Don’t break spaghetti if you care about Italian sensibilities.\u003C\u002Fli>\n\u003Cli>Skip olive oil in the water—it won’t save your pasta.\u003C\u002Fli>\n\u003Cli>Ignore wall‑throwing tests; they’re not a real measure of doneness.\u003C\u002Fli>\n\u003Cli>Read the box for guidance, then rely on repeated tasting.\u003C\u002Fli>\n\u003Cli>Drain the pasta as soon as it reaches a firm, al dente bite.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Behind the jokes about calling the police and divine forgiveness, Lionfield present a straightforward, taste‑focused method: \u003Cstrong>watch the clock, trust your palate, and rescue the pasta from the water at just the right 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