[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"left-rail-focus-en":3,"$fRvn51iL-vQ2qE3JewPfau0eAElyjK4OGOA1PPeoDfps":209,"right-rail-creators-en-guest":279,"right-rail-reading-en":426},{"data":4,"links":56,"meta":60},[5],{"ulid":6,"type":7,"title":8,"content":9,"content_html":10,"slug":11,"slug_plain":11,"canonical_url":12,"social_links":13,"creator_focuses":17,"creator_focus_codes":21,"creator_focus_labels":25,"texts":26,"media":32,"related":50,"user":51,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":55,"updated_at":55},"01KK7JP5SNY8N5FR848EJADYA4","creator","Lionfield","Lionfield is an Italian content creator and music duo formed by childhood friends Matteo Salvatori and Emiliano Santoro. Based on their shared passion for Italian culture, cuisine, and music, they produce humorous and educational videos that highlight traditional Italian food practices, often reacting to unconventional or incorrect ways of cooking classic dishes.\n\nThe duo gained prominence on platforms like YouTube and TikTok, where they mix musical performances with comedy sketches centered around pasta, pizza, and other staples of Italian cuisine. Their content frequently focuses on \"protecting\" Italian food traditions, using exaggerated reactions and catchphrases to entertain while reinforcing authentic cooking methods.\n\nIn addition to short-form reactions, Lionfield creates original music and themed videos, such as their song and video about making pasta al dente. They often incorporate practical cooking tips—like properly timing pasta and avoiding common myths—into their lyrics and scripts, making their content both engaging and informative.\n\n- Italian duo: Matteo Salvatori and Emiliano Santoro  \n- Known for: comedic reactions to food \"torture\" and Italian cooking fails  \n- Platforms: YouTube, TikTok, and other social media  \n- Focus: Italian cuisine, music, and cultural commentary","\u003Cp>Lionfield is an Italian content creator and music duo formed by childhood friends Matteo Salvatori and Emiliano Santoro. Based on their shared passion for Italian culture, cuisine, and music, they produce humorous and educational videos that highlight traditional Italian food practices, often reacting to unconventional or incorrect ways of cooking classic dishes.\u003C\u002Fp>\n\u003Cp>The duo gained prominence on platforms like YouTube and TikTok, where they mix musical performances with comedy sketches centered around pasta, pizza, and other staples of Italian cuisine. Their content frequently focuses on "protecting" Italian food traditions, using exaggerated reactions and catchphrases to entertain while reinforcing authentic cooking methods.\u003C\u002Fp>\n\u003Cp>In addition to short-form reactions, Lionfield creates original music and themed videos, such as their song and video about making pasta al dente. They often incorporate practical cooking tips—like properly timing pasta and avoiding common myths—into their lyrics and scripts, making their content both engaging and informative.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Italian duo: Matteo Salvatori and Emiliano Santoro\u003C\u002Fli>\n\u003Cli>Known for: comedic reactions to food "torture" and Italian cooking fails\u003C\u002Fli>\n\u003Cli>Platforms: YouTube, TikTok, and other social media\u003C\u002Fli>\n\u003Cli>Focus: Italian cuisine, music, and cultural commentary\u003C\u002Fli>\n\u003C\u002Ful>\n","lionfield","lionfield\u002F01KK7JP5SNY8N5FR848EJADYA4",[14],{"network":15,"url":16},"youtube","https:\u002F\u002Fwww.youtube.com\u002F@Lionfield",[18,19,20],"Food","Music","Comedy",[22,23,24],"food","music","comedy",{"food":18,"music":19,"comedy":20},[27,30],{"type":28,"text":8,"locale":29},"title","en",{"type":31,"text":9,"locale":29},"content",[33],{"id":34,"ulid":35,"post_id":36,"type":37,"path":38,"url":39,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":45,"width":46,"height":46,"duration":43,"hash":47,"variant_base_url":48,"metadata":43,"created_at":49,"updated_at":49},109,"01KK7JP6GQS30VJEEH0DQJ7MVX",58,"image","posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7JP6GQS30VJEEH0DQJ7MVX.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7JP6GQS30VJEEH0DQJ7MVX.jpg","public",false,0,null,"image\u002Fjpeg",123453,900,"83ed7b705c91b38e340000031a71ae236b3840503ecc1d41b3cc35f7c82e0389","https:\u002F\u002Fapi.influrs.com\u002Fmedia","2026-03-08T20:37:16.000000Z",[],{"ulid":52,"name":53,"avatar":54},"01KJ37Q0G1X6KJN6AKDK65MDZ5","Sqa17ll","https:\u002F\u002Flh3.googleusercontent.com\u002Fa\u002FACg8ocKaRvWO1Gfwoph3v77vSGL2hZ4dGqPnnY8mN2HHnO9S1BKnnw=s96-c","2026-03-08T20:37:13.000000Z",{"first":57,"last":58,"prev":43,"next":59},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=1","http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=22","http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=2",{"current_page":61,"from":61,"last_page":62,"links":63,"path":114,"per_page":61,"to":61,"total":62,"focus_area_options":115},1,22,[64,66,69,72,76,80,84,88,92,96,100,104,106,110,112],{"url":43,"label":65,"page":43,"active":41},"pagination.previous",{"url":57,"label":67,"page":61,"active":68},"1",true,{"url":59,"label":70,"page":71,"active":41},"2",2,{"url":73,"label":74,"page":75,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=3","3",3,{"url":77,"label":78,"page":79,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=4","4",4,{"url":81,"label":82,"page":83,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=5","5",5,{"url":85,"label":86,"page":87,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=6","6",6,{"url":89,"label":90,"page":91,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=7","7",7,{"url":93,"label":94,"page":95,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=8","8",8,{"url":97,"label":98,"page":99,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=9","9",9,{"url":101,"label":102,"page":103,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=10","10",10,{"url":43,"label":105,"active":41},"...",{"url":107,"label":108,"page":109,"active":41},"http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts?page=21","21",21,{"url":58,"label":111,"page":62,"active":41},"22",{"url":59,"label":113,"page":71,"active":41},"pagination.next","http:\u002F\u002Fapi.influrs.com\u002Fapi\u002Fv1\u002Fposts",[116,119,122,125,126,129,132,135,138,141,144,147,150,153,156,159,162,165,168,169,172,175,178,181,184,187,190,193,196,199,200,203,206],{"code":117,"label":118},"art","Art",{"code":120,"label":121},"animals","Animals",{"code":123,"label":124},"books","Books",{"code":24,"label":20},{"code":127,"label":128},"design","Design",{"code":130,"label":131},"film","Film",{"code":133,"label":134},"fitness","Fitness",{"code":136,"label":137},"gaming","Gaming",{"code":139,"label":140},"health","Health",{"code":142,"label":143},"history","History",{"code":145,"label":146},"nature","Nature",{"code":148,"label":149},"news","News",{"code":151,"label":152},"politics","Politics",{"code":154,"label":155},"science","Science",{"code":157,"label":158},"sports","Sports",{"code":160,"label":161},"military","Military",{"code":163,"label":164},"space","Space",{"code":166,"label":167},"journalist","Journalist",{"code":23,"label":19},{"code":170,"label":171},"actor","Actor",{"code":173,"label":174},"comedian","Comedian",{"code":176,"label":177},"tech","Tech",{"code":179,"label":180},"ai","AI",{"code":182,"label":183},"business","Business",{"code":185,"label":186},"finance","Finance",{"code":188,"label":189},"investing","Investing",{"code":191,"label":192},"crypto","Crypto",{"code":194,"label":195},"beauty","Beauty",{"code":197,"label":198},"fashion","Fashion",{"code":22,"label":18},{"code":201,"label":202},"travel","Travel",{"code":204,"label":205},"home","Home",{"code":207,"label":208},"automotive","Automotive",{"data":210},{"ulid":211,"type":212,"title":213,"content":214,"content_html":215,"slug":216,"slug_plain":216,"canonical_url":217,"alternate_paths":218,"social_links":242,"creator_focuses":243,"creator_focus_codes":244,"creator_fo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massive US strike on Iran: dismantling its nuclear programme or a dangerous game of civil war?","## From \"schooling\" to Operation Epic Fury\n\nLukas Nosek on The Lukas IV Channel describes how the US and Israeli attacks on Iran have moved from limited airstrikes to a massive operation.\n\nEarlier actions, such as operations with codenames like **Twinning Lion** or **Midnight Hammer**, had these characteristics, he says:\n\n- They were **short-term** and relatively limited interventions,\n- there were not many forces deployed (Israel itself does not have such a capability, the US did not use it to its full potential at the time),\n- the aim was primarily to **weaken air defences** and **delay** Iran's nuclear programme,\n- the attacks targeted uranium storage facilities and other facilities.\n\nNosek points out that destroying uranium storage facilities alone is of limited military effectiveness. Uranium is a metal - it breaks, it gets damaged, some of it melts, but it remains essentially usable. By this logic, Iran can:\n\n- Secure the area,\n- use metal detectors and radiation to collect the material again,\n- and resume the nuclear programme after a while (albeit with damaged centrifuges and technology).\n\nThus, according to Nosek, these raids **did not lead to the destruction of the program or the overthrow of the regime**, but had other effects:\n\n- **de-legitimized the regime** in the eyes of some of the population,\n- showed that the Iranian leadership was incapable of effectively defending the country,\n- gave the people \"hope\" that the regime might not be indestructible.\n\n## Epic Fury: The Massive Rise of American Power\n\nAccording to Lukáš Nosek, the current operation **Epic Fury** is fundamentally different in scope and ambition.\n\nThe aforementioned features of the current intervention:\n\n- It involves **two aircraft carriers** and **hundreds of aircraft**,\n- it is an **extremely expensive** operation costing millions of dollars,\n- the scale is **much larger** than previous operations.\n\nThe stated goal this time is\n\n- **to \"decapitate\" Iran's nuclear program**, i.e., to deal it a blow that would render it unable to continue in its current form,\n- according to US statements and Donald Trump's rhetoric, and **\"overthrowing the regime \"**.\n\nBut it is the latter point that Nosek identifies as potential **propaganda**:\n\n- talking about Iranian freedom, regime brutality, executions, oppression of women, and support for terrorism is an effective way to garner **public support** for the attack,\n- but in reality, the **primary and only real goal** may be to destroy the nuclear program,\n- \"regime overthrow\" may be too risky from a security and geopolitical perspective and may not be one of the actual intended outcomes.\n\nNosek thus distinguishes between **what is said to the public** and **what may be the real strategic goal** - and considers the destruction of nuclear capabilities, not the deliberate inducement of regime collapse, to be the key goal.\n\n## Oil, Hormuz and Moscow: the first wave of repercussions\n\nOne of the most immediate effects of the conflict, according to Lukáš Nosek, is what is happening around the **Hormuz Strait** and the **price of oil**.\n\nPossible steps by Iran:\n\n- **closing the Strait of Hormuz** - one of the most important energy hubs in the world,\n- attacks on targets in the Persian Gulf (Bahrain, Abu Dhabi and other places),\n- creating **instability in the region**, where much of the world's oil supply flows.\n\nExpected impacts on oil according to Nosek:\n\n- A short-term shock could see prices rise by as much as **40%**,\n- once the situation calms down and more rational trading takes hold, the effect could be around 15%**,\n- but even a 15% rise is significant: it will make fuel more expensive and will be reflected in the economies.\n\nAt the same time, Nosek points to the **greater impact** on Russia:\n\n- High world oil prices **benefit Moscow**,\n- Russia's budget, he says, is \"bleeding\" because of low Urals oil prices,\n- the rise in world prices is pushing up the **price of Russian oil**, although it may be partially limited by sanctions,\n- this means **more money for the Russian regime** and an unpleasant signal for Ukraine and Europe, as Russia may intensify its financing of the war.\n\nLukas Nosek also notes that the attack was timed for **weekend** when markets are closed. According to him, this was Donald Trump's intention:\n\n- To avoid an immediate price shock,\n- to give the markets time to react on Monday with more information and less panic.\n\n## Missiles, drones and Ramadan: the Iranian response\n\nAccording to Nosek, Iran is responding with a combination of military and psychological steps.\n\n### Rockets and drones\n\nIran has **thousands of missiles and drones**. These are aimed at:\n\n- on American bases,\n- on **Israel**,\n- other targets in the region.\n\nThe balance sheet so far, as Nosek describes it:\n\n- there are reports of **explosions, smoke columns, object hits**,\n- damage is being inflicted, but there are no effective strikes yet to stop the American offensive,\n- the attacks are raising tensions and adding to the uncertainty.\n\n### The symbolism of Ramadan\n\nMoreover, the conflict is taking place during **Ramadan**, which has an impact on the perception of the situation in the Muslim world:\n\n- attacks during religious holidays **annoy** part of the population in the region,\n- according to Nosek, it \"pisses off\" local US allies because they feel their holidays are being disrupted,\n- which is why he himself expected the attack to occur **after Ramadan** - around mid to late March - but in the end there was no such delay.\n\n## Insurgency, civil war and nuclear material\n\nA crucial part of Lukáš Nosek's commentary is devoted to the question of **what a real overthrow of the regime** in Iran would mean and what risks are involved.\n\n### Challenges to the uprising\n\nFrom exile come calls for Iranians to take control of their country. Nosek mentions, for example:\n\n- **Pahlavi's** statement from the United States calling on Iranians to take advantage of the US attacks and **rise up** against the regime.\n\nBut Nosek says much depends on the **mood of Iranian society** after previous protests, which were harshly suppressed:\n\n- if **fear** prevails, people may perceive the US attacks more as **interference** and fearfully **move around the regime**,\n- if anger and frustration prevail, some segments of the population may lean towards **open resistance**.\n\nHe warns that frightened people tend to react **submissively** - he likens this to a section of Czech society which, under pressure of fear, calls for retreat to the aggressor (in analogy to Russia and Ukraine).\n\n### Risks of civil war\n\nIran is not a homogeneous state. Nosek recalls several key points:\n\n- The **northern regions** in particular have the potential for **separatist tendencies** - for example, among Azeris, Kurds or other ethnic groups,\n- **Iraq** is in the neighbourhood, where various armed groups persist despite some stabilisation,\n- in addition, there is **Afghanistan under Taliban rule**.\n\nIf there were a mass uprising and parts of the army opposed to the regime, there could be a **civil war in Iran**. The implications Nosek points out:\n\n- **radicalism** and **separatism** would flare up in the country,\n- creating a breeding ground for **new terrorist structures** with a possible reach to the West,\n- a key risk: **access to radioactive materials**.\n\nIran has:\n\n- ** uranium enrichment facilities**,\n- stockpiles of radioactive material,\n- potentially infrastructure that could be used to create **weapons-grade material**.\n\nIn the chaos of a civil war, Nosek said, these stockpiles could be accessed:\n\n- **terrorists**,\n- **radical armed factions**,\n- or groups linked to the Taliban in Afghanistan.\n\nThe danger lies not only in a full-fledged nuclear weapon, but also in its use as a **\"dirty bomb \"**:\n\n- a large quantity of highly radioactive material is sufficient,\n- which can be dispersed over a large area with a conventional bomb,\n- the consequences for the civilian population and the psychological effect would be considerable.\n\nThis is why Lukáš Nosek considers it **unlikely** that the United States would consciously pursue a scenario that leads to a large-scale civil war in Iran. Destabilization of the country on such a scale, in his view, poses **\"too great a security risk \"** - even for the West itself.\n\n## The Czech point of view and the question of what we actually want\n\nNosek concludes by touching on Czech politics and the broader debate about what goals the West should pursue.\n\nHe mentions that:\n\n- according to the Czech Prime Minister, Iran is **a threat that must be got rid of**,\n- The Czech Republic **takes the side of the United States** in its actions towards Tehran,\n- at the same time, the Czech Republic has **three of its citizens** in Iran, but according to available statements **does not plan special rescue action** for them.\n\nNosek also recalls the experience with the arguments about **weapons of mass destruction** in past conflicts - whether nuclear or chemical - and suggests that the type of \"excuse\" may differ, but the mechanism is similar.\n\nHis main message to the Czech viewer is twofold:\n\n- it is not certain that massive bombing will lead to the **overthrow of the regime** in Iran - this is far from a guaranteed outcome,\n- the **destabilisation of Iran** may bring **even worse scenarios** than the current oppressive leadership - including the risk of dirty bombs and the export of terrorism.\n\nNosek therefore stresses the need for everyone to be clear about **what goal the West should actually want to achieve** and what level of risk it is willing to accept.\n\n## Final Summary\n\nIn a video on The Lukas IV Channel, Lukas Nosek discusses the massive US strike on Iran as an intervention that differs significantly from earlier limited operations. In his view, Operation Epic Fury is realistically intended primarily to **destroy Iran's nuclear program**, while the rhetoric about toppling the regime may be largely **propaganda framing** for domestic and international audiences.\n\nAt the same time, however, he warns that any move towards civil war in Iran poses **high security risks**: from rising oil prices and a strengthening Russia, to widespread instability in the region, to the possibility of **radioactive material** falling into the hands of terrorists. In this light, the question of \"destroy the regime at any cost\" becomes a far more complex dilemma, in which it is not certain that the collapse of the current theocracy automatically means a **safer world**.","\u003Ch2>From "schooling" to Operation Epic Fury\u003C\u002Fh2>\n\u003Cp>Lukas Nosek on The Lukas IV Channel describes how the US and Israeli attacks on Iran have moved from limited airstrikes to a massive operation.\u003C\u002Fp>\n\u003Cp>Earlier actions, such as operations with codenames like \u003Cstrong>Twinning Lion\u003C\u002Fstrong> or \u003Cstrong>Midnight Hammer\u003C\u002Fstrong>, had these characteristics, he says:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>They were \u003Cstrong>short-term\u003C\u002Fstrong> and relatively limited interventions,\u003C\u002Fli>\n\u003Cli>there were not many forces deployed (Israel itself does not have such a capability, the US did not use it to its full potential at the time),\u003C\u002Fli>\n\u003Cli>the aim was primarily to \u003Cstrong>weaken air defences\u003C\u002Fstrong> and \u003Cstrong>delay\u003C\u002Fstrong> Iran's nuclear programme,\u003C\u002Fli>\n\u003Cli>the attacks targeted uranium storage facilities and other facilities.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Nosek points out that destroying uranium storage facilities alone is of limited military effectiveness. Uranium is a metal - it breaks, it gets damaged, some of it melts, but it remains essentially usable. By this logic, Iran can:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Secure the area,\u003C\u002Fli>\n\u003Cli>use metal detectors and radiation to collect the material again,\u003C\u002Fli>\n\u003Cli>and resume the nuclear programme after a while (albeit with damaged centrifuges and technology).\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Thus, according to Nosek, these raids \u003Cstrong>did not lead to the destruction of the program or the overthrow of the regime\u003C\u002Fstrong>, but had other effects:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>de-legitimized the regime\u003C\u002Fstrong> in the eyes of some of the population,\u003C\u002Fli>\n\u003Cli>showed that the Iranian leadership was incapable of effectively defending the country,\u003C\u002Fli>\n\u003Cli>gave the people "hope" that the regime might not be indestructible.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Ch2>Epic Fury: The Massive Rise of American Power\u003C\u002Fh2>\n\u003Cp>According to Lukáš Nosek, the current operation \u003Cstrong>Epic Fury\u003C\u002Fstrong> is fundamentally different in scope and ambition.\u003C\u002Fp>\n\u003Cp>The aforementioned features of the current intervention:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>It involves \u003Cstrong>two aircraft carriers\u003C\u002Fstrong> and \u003Cstrong>hundreds of aircraft\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>it is an \u003Cstrong>extremely expensive\u003C\u002Fstrong> operation costing millions of dollars,\u003C\u002Fli>\n\u003Cli>the scale is \u003Cstrong>much larger\u003C\u002Fstrong> than previous operations.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>The stated goal this time is\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>to "decapitate" Iran's nuclear program\u003C\u002Fstrong>, i.e., to deal it a blow that would render it unable to continue in its current form,\u003C\u002Fli>\n\u003Cli>according to US statements and Donald Trump's rhetoric, and \u003Cstrong>"overthrowing the regime "\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But it is the latter point that Nosek identifies as potential \u003Cstrong>propaganda\u003C\u002Fstrong>:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>talking about Iranian freedom, regime brutality, executions, oppression of women, and support for terrorism is an effective way to garner \u003Cstrong>public support\u003C\u002Fstrong> for the attack,\u003C\u002Fli>\n\u003Cli>but in reality, the \u003Cstrong>primary and only real goal\u003C\u002Fstrong> may be to destroy the nuclear program,\u003C\u002Fli>\n\u003Cli>"regime overthrow" may be too risky from a security and geopolitical perspective and may not be one of the actual intended outcomes.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Nosek thus distinguishes between \u003Cstrong>what is said to the public\u003C\u002Fstrong> and \u003Cstrong>what may be the real strategic goal\u003C\u002Fstrong> - and considers the destruction of nuclear capabilities, not the deliberate inducement of regime collapse, to be the key goal.\u003C\u002Fp>\n\u003Ch2>Oil, Hormuz and Moscow: the first wave of repercussions\u003C\u002Fh2>\n\u003Cp>One of the most immediate effects of the conflict, according to Lukáš Nosek, is what is happening around the \u003Cstrong>Hormuz Strait\u003C\u002Fstrong> and the \u003Cstrong>price of oil\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>Possible steps by Iran:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>closing the Strait of Hormuz\u003C\u002Fstrong> - one of the most important energy hubs in the world,\u003C\u002Fli>\n\u003Cli>attacks on targets in the Persian Gulf (Bahrain, Abu Dhabi and other places),\u003C\u002Fli>\n\u003Cli>creating \u003Cstrong>instability in the region\u003C\u002Fstrong>, where much of the world's oil supply flows.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Expected impacts on oil according to Nosek:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>A short-term shock could see prices rise by as much as \u003Cstrong>40%\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>once the situation calms down and more rational trading takes hold, the effect could be around 15%**,\u003C\u002Fli>\n\u003Cli>but even a 15% rise is significant: it will make fuel more expensive and will be reflected in the economies.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>At the same time, Nosek points to the \u003Cstrong>greater impact\u003C\u002Fstrong> on Russia:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>High world oil prices \u003Cstrong>benefit Moscow\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>Russia's budget, he says, is "bleeding" because of low Urals oil prices,\u003C\u002Fli>\n\u003Cli>the rise in world prices is pushing up the \u003Cstrong>price of Russian oil\u003C\u002Fstrong>, although it may be partially limited by sanctions,\u003C\u002Fli>\n\u003Cli>this means \u003Cstrong>more money for the Russian regime\u003C\u002Fstrong> and an unpleasant signal for Ukraine and Europe, as Russia may intensify its financing of the war.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Lukas Nosek also notes that the attack was timed for \u003Cstrong>weekend\u003C\u002Fstrong> when markets are closed. According to him, this was Donald Trump's intention:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>To avoid an immediate price shock,\u003C\u002Fli>\n\u003Cli>to give the markets time to react on Monday with more information and less panic.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Ch2>Missiles, drones and Ramadan: the Iranian response\u003C\u002Fh2>\n\u003Cp>According to Nosek, Iran is responding with a combination of military and psychological steps.\u003C\u002Fp>\n\u003Ch3>Rockets and drones\u003C\u002Fh3>\n\u003Cp>Iran has \u003Cstrong>thousands of missiles and drones\u003C\u002Fstrong>. These are aimed at:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>on American bases,\u003C\u002Fli>\n\u003Cli>on \u003Cstrong>Israel\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>other targets in the region.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>The balance sheet so far, as Nosek describes it:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>there are reports of \u003Cstrong>explosions, smoke columns, object hits\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>damage is being inflicted, but there are no effective strikes yet to stop the American offensive,\u003C\u002Fli>\n\u003Cli>the attacks are raising tensions and adding to the uncertainty.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Ch3>The symbolism of Ramadan\u003C\u002Fh3>\n\u003Cp>Moreover, the conflict is taking place during \u003Cstrong>Ramadan\u003C\u002Fstrong>, which has an impact on the perception of the situation in the Muslim world:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>attacks during religious holidays \u003Cstrong>annoy\u003C\u002Fstrong> part of the population in the region,\u003C\u002Fli>\n\u003Cli>according to Nosek, it "pisses off" local US allies because they feel their holidays are being disrupted,\u003C\u002Fli>\n\u003Cli>which is why he himself expected the attack to occur \u003Cstrong>after Ramadan\u003C\u002Fstrong> - around mid to late March - but in the end there was no such delay.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Ch2>Insurgency, civil war and nuclear material\u003C\u002Fh2>\n\u003Cp>A crucial part of Lukáš Nosek's commentary is devoted to the question of \u003Cstrong>what a real overthrow of the regime\u003C\u002Fstrong> in Iran would mean and what risks are involved.\u003C\u002Fp>\n\u003Ch3>Challenges to the uprising\u003C\u002Fh3>\n\u003Cp>From exile come calls for Iranians to take control of their country. Nosek mentions, for example:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>Pahlavi's\u003C\u002Fstrong> statement from the United States calling on Iranians to take advantage of the US attacks and \u003Cstrong>rise up\u003C\u002Fstrong> against the regime.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But Nosek says much depends on the \u003Cstrong>mood of Iranian society\u003C\u002Fstrong> after previous protests, which were harshly suppressed:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>if \u003Cstrong>fear\u003C\u002Fstrong> prevails, people may perceive the US attacks more as \u003Cstrong>interference\u003C\u002Fstrong> and fearfully \u003Cstrong>move around the regime\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>if anger and frustration prevail, some segments of the population may lean towards \u003Cstrong>open resistance\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>He warns that frightened people tend to react \u003Cstrong>submissively\u003C\u002Fstrong> - he likens this to a section of Czech society which, under pressure of fear, calls for retreat to the aggressor (in analogy to Russia and Ukraine).\u003C\u002Fp>\n\u003Ch3>Risks of civil war\u003C\u002Fh3>\n\u003Cp>Iran is not a homogeneous state. Nosek recalls several key points:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>The \u003Cstrong>northern regions\u003C\u002Fstrong> in particular have the potential for \u003Cstrong>separatist tendencies\u003C\u002Fstrong> - for example, among Azeris, Kurds or other ethnic groups,\u003C\u002Fli>\n\u003Cli>\u003Cstrong>Iraq\u003C\u002Fstrong> is in the neighbourhood, where various armed groups persist despite some stabilisation,\u003C\u002Fli>\n\u003Cli>in addition, there is \u003Cstrong>Afghanistan under Taliban rule\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>If there were a mass uprising and parts of the army opposed to the regime, there could be a \u003Cstrong>civil war in Iran\u003C\u002Fstrong>. The implications Nosek points out:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>radicalism\u003C\u002Fstrong> and \u003Cstrong>separatism\u003C\u002Fstrong> would flare up in the country,\u003C\u002Fli>\n\u003Cli>creating a breeding ground for \u003Cstrong>new terrorist structures\u003C\u002Fstrong> with a possible reach to the West,\u003C\u002Fli>\n\u003Cli>a key risk: \u003Cstrong>access to radioactive materials\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Iran has:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>** uranium enrichment facilities**,\u003C\u002Fli>\n\u003Cli>stockpiles of radioactive material,\u003C\u002Fli>\n\u003Cli>potentially infrastructure that could be used to create \u003Cstrong>weapons-grade material\u003C\u002Fstrong>.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>In the chaos of a civil war, Nosek said, these stockpiles could be accessed:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>terrorists\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>\u003Cstrong>radical armed factions\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>or groups linked to the Taliban in Afghanistan.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>The danger lies not only in a full-fledged nuclear weapon, but also in its use as a \u003Cstrong>"dirty bomb "\u003C\u002Fstrong>:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>a large quantity of highly radioactive material is sufficient,\u003C\u002Fli>\n\u003Cli>which can be dispersed over a large area with a conventional bomb,\u003C\u002Fli>\n\u003Cli>the consequences for the civilian population and the psychological effect would be considerable.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>This is why Lukáš Nosek considers it \u003Cstrong>unlikely\u003C\u002Fstrong> that the United States would consciously pursue a scenario that leads to a large-scale civil war in Iran. Destabilization of the country on such a scale, in his view, poses \u003Cstrong>"too great a security risk "\u003C\u002Fstrong> - even for the West itself.\u003C\u002Fp>\n\u003Ch2>The Czech point of view and the question of what we actually want\u003C\u002Fh2>\n\u003Cp>Nosek concludes by touching on Czech politics and the broader debate about what goals the West should pursue.\u003C\u002Fp>\n\u003Cp>He mentions that:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>according to the Czech Prime Minister, Iran is \u003Cstrong>a threat that must be got rid of\u003C\u002Fstrong>,\u003C\u002Fli>\n\u003Cli>The Czech Republic \u003Cstrong>takes the side of the United States\u003C\u002Fstrong> in its actions towards Tehran,\u003C\u002Fli>\n\u003Cli>at the same time, the Czech Republic has \u003Cstrong>three of its citizens\u003C\u002Fstrong> in Iran, but according to available statements \u003Cstrong>does not plan special rescue action\u003C\u002Fstrong> for them.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Nosek also recalls the experience with the arguments about \u003Cstrong>weapons of mass destruction\u003C\u002Fstrong> in past conflicts - whether nuclear or chemical - and suggests that the type of "excuse" may differ, but the mechanism is similar.\u003C\u002Fp>\n\u003Cp>His main message to the Czech viewer is twofold:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>it is not certain that massive bombing will lead to the \u003Cstrong>overthrow of the regime\u003C\u002Fstrong> in Iran - this is far from a guaranteed outcome,\u003C\u002Fli>\n\u003Cli>the \u003Cstrong>destabilisation of Iran\u003C\u002Fstrong> may bring \u003Cstrong>even worse scenarios\u003C\u002Fstrong> than the current oppressive leadership - including the risk of dirty bombs and the export of terrorism.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Nosek therefore stresses the need for everyone to be clear about \u003Cstrong>what goal the West should actually want to achieve\u003C\u002Fstrong> and what level of risk it is willing to accept.\u003C\u002Fp>\n\u003Ch2>Final Summary\u003C\u002Fh2>\n\u003Cp>In a video on The Lukas IV Channel, Lukas Nosek discusses the massive US strike on Iran as an intervention that differs significantly from earlier limited operations. In his view, Operation Epic Fury is realistically intended primarily to \u003Cstrong>destroy Iran's nuclear program\u003C\u002Fstrong>, while the rhetoric about toppling the regime may be largely \u003Cstrong>propaganda framing\u003C\u002Fstrong> for domestic and international audiences.\u003C\u002Fp>\n\u003Cp>At the same time, however, he warns that any move towards civil war in Iran poses \u003Cstrong>high security risks\u003C\u002Fstrong>: from rising oil prices and a strengthening Russia, to widespread instability in the region, to the possibility of \u003Cstrong>radioactive material\u003C\u002Fstrong> falling into the hands of terrorists. 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Nosek","Lukáš Nosek is a Czech YouTube creator who goes by the channel name The Lukas IV. In his videos he focuses on modern conflicts, geopolitics, military topics and their historical background. He often discusses current events in international relations and tries to place them in a broader context.\r\n\r\nHe declares an interest in history, the military and politics and combines these areas with popular commentary for a wider audience. It uses a narrative style that combines descriptions of military operations, analysis of possible conflict scenarios, and work with publicly available information from the media and open sources.\r\n\r\nThe channel features both stand-alone analyses of specific crises and speculative or scenario analyses of possible military clashes. Nosek emphasizes clear interpretation and brings complex geopolitical topics to viewers in the form of annotated stories.","\u003Cp>Lukáš Nosek is a Czech YouTube creator who goes by the channel name The Lukas IV. In his videos he focuses on modern conflicts, geopolitics, military topics and their historical background. He often discusses current events in international relations and tries to place them in a broader context.\u003C\u002Fp>\n\u003Cp>He declares an interest in history, the military and politics and combines these areas with popular commentary for a wider audience. It uses a narrative style that combines descriptions of military operations, analysis of possible conflict scenarios, and work with publicly available information from the media and open sources.\u003C\u002Fp>\n\u003Cp>The channel features both stand-alone analyses of specific crises and speculative or scenario analyses of possible military clashes. Nosek emphasizes clear interpretation and brings complex geopolitical topics to viewers in the form of annotated stories.\u003C\u002Fp>\n","lukas-nosek","lukas-nosek\u002F01KJJ8WKHW5XDFZFH6T1A6AC7V",[275,276],{"type":28,"text":269,"locale":29},{"type":31,"text":270,"locale":29},{"ulid":52,"name":53,"avatar":54},"2026-02-28T14:02:36.000000Z",{"data":280,"links":381,"meta":382},[281,294,323,352],{"ulid":6,"type":7,"title":8,"content":9,"content_html":10,"slug":11,"slug_plain":11,"canonical_url":12,"social_links":282,"creator_focuses":284,"creator_focus_codes":285,"creator_focus_labels":286,"texts":287,"media":290,"related":292,"user":293,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":55,"updated_at":55},[283],{"network":15,"url":16},[18,19,20],[22,23,24],{"food":18,"music":19,"comedy":20},[288,289],{"type":28,"text":8,"locale":29},{"type":31,"text":9,"locale":29},[291],{"id":34,"ulid":35,"post_id":36,"type":37,"path":38,"url":39,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":45,"width":46,"height":46,"duration":43,"hash":47,"variant_base_url":48,"metadata":43,"created_at":49,"updated_at":49},[],{"ulid":52,"name":53,"avatar":54},{"ulid":295,"type":7,"title":296,"content":297,"content_html":298,"slug":299,"slug_plain":299,"canonical_url":300,"social_links":301,"creator_focuses":304,"creator_focus_codes":305,"creator_focus_labels":306,"texts":307,"media":310,"related":320,"user":321,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":322,"updated_at":322},"01KK7HY9TW5YEZQDT6T5SNJYXR","Rick Astley","Rick Astley is an English singer, songwriter, and musician best known for his 1987 hit single \"Never Gonna Give You Up.\" Born on 6 February 1966 in Warrington, Cheshire, England, he first gained attention in the late 1980s with a series of chart-topping pop singles characterized by his deep, soulful voice.\n\n\"Never Gonna Give You Up\" became his signature song, reaching number one in multiple countries and remaining closely associated with his public image. The track later found renewed cultural prominence in the mid-2000s through the \"Rickrolling\" internet meme, which unexpectedly linked users to the song’s music video and introduced Astley's work to a new generation.\n\nBeyond this signature hit, Astley has continued to record and perform, releasing albums and touring internationally. His catalog spans upbeat dance-pop, soulful ballads, and more mature pop material, reflecting a career that has evolved well beyond his initial late-1980s breakthrough.","\u003Cp>Rick Astley is an English singer, songwriter, and musician best known for his 1987 hit single "Never Gonna Give You Up." Born on 6 February 1966 in Warrington, Cheshire, England, he first gained attention in the late 1980s with a series of chart-topping pop singles characterized by his deep, soulful voice.\u003C\u002Fp>\n\u003Cp>"Never Gonna Give You Up" became his signature song, reaching number one in multiple countries and remaining closely associated with his public image. The track later found renewed cultural prominence in the mid-2000s through the "Rickrolling" internet meme, which unexpectedly linked users to the song’s music video and introduced Astley's work to a new generation.\u003C\u002Fp>\n\u003Cp>Beyond this signature hit, Astley has continued to record and perform, releasing albums and touring internationally. His catalog spans upbeat dance-pop, soulful ballads, and more mature pop material, reflecting a career that has evolved well beyond his initial late-1980s breakthrough.\u003C\u002Fp>\n","rick-astley","rick-astley\u002F01KK7HY9TW5YEZQDT6T5SNJYXR",[302],{"network":15,"url":303},"https:\u002F\u002Fwww.youtube.com\u002F@RickAstleyYT",[19,118,20],[23,117,24],{"music":19,"art":118,"comedy":20},[308,309],{"type":28,"text":296,"locale":29},{"type":31,"text":297,"locale":29},[311],{"id":312,"ulid":313,"post_id":314,"type":37,"path":315,"url":316,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":317,"width":46,"height":46,"duration":43,"hash":318,"variant_base_url":48,"metadata":43,"created_at":319,"updated_at":319},100,"01KK7HYAQFR4585ASBZFWW9QDE",54,"posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HYAQFR4585ASBZFWW9QDE.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HYAQFR4585ASBZFWW9QDE.jpg",126833,"8a29662d54c2d171d5a22e695561866e8854a660283c34c0c3eb476067af4f5b","2026-03-08T20:24:14.000000Z",[],{"ulid":52,"name":53,"avatar":54},"2026-03-08T20:24:11.000000Z",{"ulid":324,"type":7,"title":325,"content":326,"content_html":327,"slug":328,"slug_plain":328,"canonical_url":329,"social_links":330,"creator_focuses":333,"creator_focus_codes":334,"creator_focus_labels":335,"texts":336,"media":339,"related":349,"user":350,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":351,"updated_at":351},"01KK7HD82AZQCAKPPV88V3BGBT","Matthew Armstrong","Mat Armstrong is a British YouTuber and automotive content creator known for rebuilding and modifying damaged performance and luxury cars. Based in Leicester, United Kingdom, he previously competed as a professional BMX rider before focusing full-time on his online automotive projects.\n\nOn his YouTube channel, Armstrong documents in detail the process of purchasing, diagnosing, repairing, and upgrading heavily damaged vehicles, often working with specialist engineers and machine shops. His content emphasizes problem-solving, mechanical learning, and transparency about costs, risks, and setbacks involved in complex rebuilds.\n\nArmstrong has attracted particular attention for tackling ambitious projects involving high-end supercars, including attempts to restore vehicles that manufacturers are unwilling to support with parts. Through these builds, he highlights the technical, financial, and regulatory challenges of returning such cars to the road while engaging an audience interested in engineering and car culture.\n\nSelected themes on his channel include:\n- Rebuilding written-off and salvaged performance cars\n- Collaborating with machinists, fabricators, and other specialists\n- Exploring the limits of what can be achieved outside a factory workshop\n- Sharing the learning process behind advanced mechanical repairs","\u003Cp>Mat Armstrong is a British YouTuber and automotive content creator known for rebuilding and modifying damaged performance and luxury cars. Based in Leicester, United Kingdom, he previously competed as a professional BMX rider before focusing full-time on his online automotive projects.\u003C\u002Fp>\n\u003Cp>On his YouTube channel, Armstrong documents in detail the process of purchasing, diagnosing, repairing, and upgrading heavily damaged vehicles, often working with specialist engineers and machine shops. His content emphasizes problem-solving, mechanical learning, and transparency about costs, risks, and setbacks involved in complex rebuilds.\u003C\u002Fp>\n\u003Cp>Armstrong has attracted particular attention for tackling ambitious projects involving high-end supercars, including attempts to restore vehicles that manufacturers are unwilling to support with parts. Through these builds, he highlights the technical, financial, and regulatory challenges of returning such cars to the road while engaging an audience interested in engineering and car culture.\u003C\u002Fp>\n\u003Cp>Selected themes on his channel include:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Rebuilding written-off and salvaged performance cars\u003C\u002Fli>\n\u003Cli>Collaborating with machinists, fabricators, and other specialists\u003C\u002Fli>\n\u003Cli>Exploring the limits of what can be achieved outside a factory workshop\u003C\u002Fli>\n\u003Cli>Sharing the learning process behind advanced mechanical repairs\u003C\u002Fli>\n\u003C\u002Ful>\n","matthew-armstrong","matthew-armstrong\u002F01KK7HD82AZQCAKPPV88V3BGBT",[331],{"network":15,"url":332},"https:\u002F\u002Fwww.youtube.com\u002F@MatArmstrongbmx",[208,177,128,183,186],[207,176,127,182,185],{"automotive":208,"tech":177,"design":128,"business":183,"finance":186},[337,338],{"type":28,"text":325,"locale":29},{"type":31,"text":326,"locale":29},[340],{"id":341,"ulid":342,"post_id":343,"type":37,"path":344,"url":345,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":346,"width":46,"height":46,"duration":43,"hash":347,"variant_base_url":48,"metadata":43,"created_at":348,"updated_at":348},95,"01KK7HD8TB296AV2PD1CRPT8K8",51,"posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HD8TB296AV2PD1CRPT8K8.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7HD8TB296AV2PD1CRPT8K8.jpg",230197,"15a56b7171fa2c5fbe1a2b63a81f127acb4305d9a76d766ca0fec43e5587689c","2026-03-08T20:14:54.000000Z",[],{"ulid":52,"name":53,"avatar":54},"2026-03-08T20:14:52.000000Z",{"ulid":353,"type":7,"title":354,"content":355,"content_html":356,"slug":357,"slug_plain":357,"canonical_url":358,"social_links":359,"creator_focuses":362,"creator_focus_codes":363,"creator_focus_labels":364,"texts":365,"media":368,"related":378,"user":379,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":380,"updated_at":380},"01KK6Q37TBKZN767A2BNKZQN0J","Abraham Flores","Abraham Flores, conocido en línea como ElAbrahaham, es un creador de contenido y streamer mexicano centrado principalmente en videojuegos y contenido humorístico. Ha construido una comunidad muy activa en español, a la que se refiere con apodos como “simiecitos” y “simiecitas”, y suele interactuar de forma cercana durante sus transmisiones en vivo.\n\nEn YouTube publica videos y directos de títulos como Roblox, Free Fire, Fortnite y Poppy Playtime, además de subir shorts y clips de sus momentos más virales. Complementa este contenido con transmisiones en otras plataformas, donde realiza colaboraciones con otros creadores y participa en tendencias y retos populares dentro de la comunidad gaming.\n\nFlores ha diversificado su presencia con varios canales dedicados a distintos juegos, manteniendo una alta frecuencia de publicación. Su estilo se caracteriza por un humor expresivo, referencias constantes a su propia comunidad y una dinámica de agradecimientos a sus suscriptores y seguidores, lo que refuerza el sentido de pertenencia entre quienes lo siguen.","\u003Cp>Abraham Flores, conocido en línea como ElAbrahaham, es un creador de contenido y streamer mexicano centrado principalmente en videojuegos y contenido humorístico. Ha construido una comunidad muy activa en español, a la que se refiere con apodos como “simiecitos” y “simiecitas”, y suele interactuar de forma cercana durante sus transmisiones en vivo.\u003C\u002Fp>\n\u003Cp>En YouTube publica videos y directos de títulos como Roblox, Free Fire, Fortnite y Poppy Playtime, además de subir shorts y clips de sus momentos más virales. Complementa este contenido con transmisiones en otras plataformas, donde realiza colaboraciones con otros creadores y participa en tendencias y retos populares dentro de la comunidad gaming.\u003C\u002Fp>\n\u003Cp>Flores ha diversificado su presencia con varios canales dedicados a distintos juegos, manteniendo una alta frecuencia de publicación. Su estilo se caracteriza por un humor expresivo, referencias constantes a su propia comunidad y una dinámica de agradecimientos a sus suscriptores y seguidores, lo que refuerza el sentido de pertenencia entre quienes lo siguen.\u003C\u002Fp>\n","abraham-flores","abraham-flores\u002F01KK6Q37TBKZN767A2BNKZQN0J",[360],{"network":15,"url":361},"https:\u002F\u002Fwww.youtube.com\u002F@ElAbrahaham",[137,20],[136,24],{"gaming":137,"comedy":20},[366,367],{"type":28,"text":354,"locale":29},{"type":31,"text":355,"locale":29},[369],{"id":370,"ulid":371,"post_id":372,"type":37,"path":373,"url":374,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":375,"width":46,"height":46,"duration":43,"hash":376,"variant_base_url":48,"metadata":43,"created_at":377,"updated_at":377},92,"01KK6Q38DYD0XC4CY66VQ4S6JZ",49,"posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK6Q38DYD0XC4CY66VQ4S6JZ.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK6Q38DYD0XC4CY66VQ4S6JZ.jpg",113338,"7edbd200ae3a805bffc9331c83f9ffff1492940c34ee3f0275ed80f53dbaa05c","2026-03-08T12:35:04.000000Z",[],{"ulid":52,"name":53,"avatar":54},"2026-03-08T12:35:01.000000Z",{"first":57,"last":85,"prev":43,"next":59},{"current_page":61,"from":61,"last_page":87,"links":383,"path":114,"per_page":79,"to":79,"total":62,"focus_area_options":392},[384,385,386,387,388,389,390,391],{"url":43,"label":65,"page":43,"active":41},{"url":57,"label":67,"page":61,"active":68},{"url":59,"label":70,"page":71,"active":41},{"url":73,"label":74,"page":75,"active":41},{"url":77,"label":78,"page":79,"active":41},{"url":81,"label":82,"page":83,"active":41},{"url":85,"label":86,"page":87,"active":41},{"url":59,"label":113,"page":71,"active":41},[393,394,395,396,397,398,399,400,401,402,403,404,405,406,407,408,409,410,411,412,413,414,415,416,417,418,419,420,421,422,423,424,425],{"code":117,"label":118},{"code":120,"label":121},{"code":123,"label":124},{"code":24,"label":20},{"code":127,"label":128},{"code":130,"label":131},{"code":133,"label":134},{"code":136,"label":137},{"code":139,"label":140},{"code":142,"label":143},{"code":145,"label":146},{"code":148,"label":149},{"code":151,"label":152},{"code":154,"label":155},{"code":157,"label":158},{"code":160,"label":161},{"code":163,"label":164},{"code":166,"label":167},{"code":23,"label":19},{"code":170,"label":171},{"code":173,"label":174},{"code":176,"label":177},{"code":179,"label":180},{"code":182,"label":183},{"code":185,"label":186},{"code":188,"label":189},{"code":191,"label":192},{"code":194,"label":195},{"code":197,"label":198},{"code":22,"label":18},{"code":201,"label":202},{"code":204,"label":205},{"code":207,"label":208},{"data":427,"links":510,"meta":512},[428,464,497],{"ulid":429,"type":212,"title":430,"content":431,"content_html":432,"slug":433,"slug_plain":433,"canonical_url":434,"social_links":435,"creator_focuses":436,"creator_focus_codes":437,"creator_focus_labels":438,"texts":439,"media":442,"related":458,"user":463,"likes_count":61,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":449,"updated_at":449},"01KK7SASWHAEVR4WJ84GGNDA2K","How To Make Pasta Al Dente - Lionfield (OFFICIAL VIDEO) lyrics","Take your pasta and put it in a boiling pot\nIt doesn't matter which shape you got\nLong or short, I really don't care\nBut if you pick spaghetti, don't you dare to break them in\nWe will call the police soon\n\nCheck your clock and stir every now and then\nDon't pour the olive oil in the water because it's a scam\nAnd when it's almost ready, take your food, a spoon\nTaste a piece or two\nPlease don't let it overcook\n\nPasta must be al dente\nAs long as you remember to take it out the water on time\nWater on time\n\nOnce I heard that some people from all over the world\nThrow their spaghetti on the wall and if they stick they think it's ready\nGod forgives them but I don't\nAnyway, if you check the box you find the cooking time\nWhile it's so damn wrong\nThe secret is to taste it over and over until it's almost ready\nOtherwise, you're going to make it awful\n\nIt must be al dente\nAs long as you remember to take it out the water on time\nIt must be al dente\nAs long as you remember to take it out the water on time\nApproved","\u003Cp>Take your pasta and put it in a boiling pot\nIt doesn't matter which shape you got\nLong or short, I really don't care\nBut if you pick spaghetti, don't you dare to break them in\nWe will call the police soon\u003C\u002Fp>\n\u003Cp>Check your clock and stir every now and then\nDon't pour the olive oil in the water because it's a scam\nAnd when it's almost ready, take your food, a spoon\nTaste a piece or two\nPlease don't let it overcook\u003C\u002Fp>\n\u003Cp>Pasta must be al dente\nAs long as you remember to take it out the water on time\nWater on time\u003C\u002Fp>\n\u003Cp>Once I heard that some people from all over the world\nThrow their spaghetti on the wall and if they stick they think it's ready\nGod forgives them but I don't\nAnyway, if you check the box you find the cooking time\nWhile it's so damn wrong\nThe secret is to taste it over and over until it's almost ready\nOtherwise, you're going to make it awful\u003C\u002Fp>\n\u003Cp>It must be al dente\nAs long as you remember to take it out the water on time\nIt must be al dente\nAs long as you remember to take it out the water on time\nApproved\u003C\u002Fp>\n","how-to-make-pasta-al-dente-lionfield-official-video-lyrics","how-to-make-pasta-al-dente-lionfield-official-video-lyrics\u002F01KK7SASWHAEVR4WJ84GGNDA2K",[],[],[],[],[440,441],{"type":28,"text":430,"locale":29},{"type":31,"text":431,"locale":29},[443,450],{"id":444,"ulid":445,"post_id":446,"type":253,"path":447,"url":448,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":43,"size":43,"width":43,"height":43,"duration":43,"hash":43,"metadata":43,"created_at":449,"updated_at":449},118,"01KK7SATB75PAP9CW5WP0CQXFC",63,"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=qcuQ3jJF9pw","https:\u002F\u002Fwww.youtube-nocookie.com\u002Fembed\u002FqcuQ3jJF9pw","2026-03-08T22:33:21.000000Z",{"id":451,"ulid":452,"post_id":446,"type":37,"path":453,"url":454,"disk":40,"is_primary":41,"sort_order":42,"title":43,"alt":43,"caption":43,"mime":44,"size":455,"width":263,"height":264,"duration":43,"hash":456,"variant_base_url":48,"metadata":43,"created_at":457,"updated_at":457},119,"01KK7SATCSRM06W765EYBJNB2P","posts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7SATCSRM06W765EYBJNB2P.jpg","https:\u002F\u002Fapi.influrs.com\u002Fstorage\u002Fposts\u002Fmedia\u002F2026\u002F03\u002F08\u002F01KK7SATCSRM06W765EYBJNB2P.jpg",262033,"ab29054219fe8e9372789c7768683aa28f30875c7d0b24c02edd5bc9ae3762d5","2026-03-08T22:33:23.000000Z",[459],{"ulid":6,"title":8,"content":9,"content_html":10,"slug":11,"slug_plain":11,"canonical_url":12,"texts":460,"type":7},[461,462],{"type":28,"text":8,"locale":29},{"type":31,"text":9,"locale":29},{"ulid":52,"name":53,"avatar":54},{"ulid":465,"type":212,"title":466,"content":467,"content_html":468,"slug":469,"slug_plain":469,"canonical_url":470,"social_links":471,"creator_focuses":472,"creator_focus_codes":473,"creator_focus_labels":474,"texts":475,"media":478,"related":490,"user":495,"likes_count":42,"is_liked":41,"subscribers_count":42,"is_subscribed":41,"created_at":496,"updated_at":496},"01KK7S4R8N7FP309E9BC1VGFND","How Lionfield Teaches You To Make Perfect Pasta Al Dente (Without Throwing It at the Wall)","## Who Are Lionfield and What Is This Pasta Song?\n\nLionfield, the Italian duo of Matteo Salvatori and Emiliano Santoro, are known online as comedic \"pasta protectors\" who defend Italian food traditions. In their official video **\"How To Make Pasta Al Dente\"**, they turn a how‑to guide into a full song, mixing serious cooking advice with playful warnings about what *not* to do.\n\nThe lyrics walk through the steps of cooking pasta al dente while poking fun at common mistakes, especially those made outside Italy. Beneath the comedy, though, they give a straightforward, practical method you can actually follow.\n\n---\n\n## Choosing and Adding the Pasta\n\nLionfield start with the basics: getting the pasta into a properly boiling pot.\n\nKey ideas from the song:\n\n- **Shape doesn’t matter for doneness**  \n  > \"It doesn't matter which shape you got \u002F Long or short, I really don't care\"\n  \n  Any dry pasta shape can be cooked al dente as long as you watch the time and texture.\n\n- **But don’t break spaghetti**  \n  > \"But if you pick spaghetti, don't you dare to break them in \u002F We will call the police soon.\"\n\n  This is a classic Italian pet peeve: breaking long pasta like spaghetti before cooking. Lionfield exaggerate with the \"police\" joke, but it underlines an authentic cultural preference—keep long pasta long.\n\n- **Use a boiling pot of water**  \n  > \"Take your pasta and put it in a boiling pot\"\n\n  The water should already be at a full boil before you add the pasta, so it starts cooking evenly and doesn’t turn gummy.\n\n---\n\n## What *Not* to Do: Olive Oil and Wall Tests\n\nThe video calls out two common myths in a pretty direct way.\n\n- **Don’t add olive oil to the water**  \n  > \"Don't pour the olive oil in the water because it's a scam.\"\n\n  The idea that oil in the water keeps pasta from sticking is widely repeated but misleading. Lionfield label it a \"scam\" in the lyrics. The actual sticking problem is better handled by:\n  - using enough water\n  - keeping the water at a strong boil\n  - stirring the pasta in the first minutes\n\n- **Don’t throw pasta at the wall**  \n  > \"Once I heard that some people from all over the world throw their spet on the wall and if they stick they think it's ready. God forgives them but I don't.\"\n\n  The \"throwing spaghetti at the wall\" test is another myth. In the song, they treat it almost like a culinary sin. Sticking to a wall doesn’t reliably indicate al dente; it mostly means the surface is starchy.\n\nTheir alternative: read the box, then rely on tasting, not tricks.\n\n---\n\n## Timing, Tasting, and the Box Instructions\n\nA big focus of the song is that al dente is about **timing and tasting**.\n\n- **Check the clock, but don’t worship it**  \n  > \"Check your clock and ste every now and then\"  \n  > \"If you check the box you find the cooking time while it's soft and wrong.\"\n\n  The package gives an approximate cooking time. Lionfield point out it’ll get *soft* if you follow it blindly. Their message: use it as a guideline, not a guarantee.\n\n- **Taste as you go**  \n  > \"And when it's almost ready, take your food a spoon \u002F Taste a piece or two \u002F Please don't let it overcook.\"  \n  > \"The secret is to taste it over and over until it's almost ready.\"\n\n  Their main rule: keep tasting. Pull out a piece, bite it, judge the texture yourself rather than trusting a wall or just the printed time.\n\n- **Stop before it goes too far**  \n  > \"Otherwise, you're going to make it over.\"\n\n  \"Over\" here is shorthand for overcooked: soft, mushy pasta that Italians generally want to avoid.\n\n---\n\n## What “Al Dente” Means in Practice\n\nThe chorus repeats the core target:\n\n> \"Pasta must be al dente \u002F As long as you remember to take it out the water on time.\"\n\nFrom the lyrics, the practical definition is:\n\n- **Slight bite, not crunchy and not mushy**  \n  It should be cooked through but still have firmness when you bite it.\n\n- **No wall tests, no tricks**  \n  You judge al dente by **tasting**, not sticking it to a wall or watching for gimmicks.\n\nWhile the transcript doesn’t mention it explicitly, Lionfield’s broader pasta content often highlights that al dente preserves texture and avoids the soggy, overcooked results they frequently react to in their comedy shorts.\n\n---\n\n## Simple Step‑By‑Step: Lionfield’s Al Dente Method\n\nSummarizing the method described in the song:\n\n1. **Boil water in a large pot.**  \n   Wait until it’s fully boiling.\n\n2. **Add the pasta.**  \n   - Any shape is fine.  \n   - If it’s spaghetti, keep it whole—don’t break it.\n\n3. **Do *not* add olive oil to the water.**  \n   They call this a scam and skip it entirely.\n\n4. **Check the suggested time on the box.**  \n   Use it as a starting point for when to begin tasting.\n\n5. **Taste repeatedly near the end.**  \n   - Use a spoon or fork to take out a piece.  \n   - Bite and check the texture.  \n   - Repeat \"over and over until it's almost ready.\"\n\n6. **Remove from water on time.**  \n   - As soon as it reaches that firm, not‑mushy bite, drain it.  \n   - Leaving it in the water is what ruins al dente.\n\nThroughout the song, Lionfield return to the same condition: **\"take it out the water on time.\"** That, for them, is the whole secret.\n\n---\n\n## Summary: Comedy with Real Pasta Rules\n\nIn **\"How To Make Pasta Al Dente\"**, Lionfield fold real Italian cooking advice into a humorous music video. The main points tied to the lyrics are:\n\n- Use a boiling pot of water and any pasta shape you like.\n- Don’t break spaghetti if you care about Italian sensibilities.\n- Skip olive oil in the water—it won’t save your pasta.\n- Ignore wall‑throwing tests; they’re not a real measure of doneness.\n- Read the box for guidance, then rely on repeated tasting.\n- Drain the pasta as soon as it reaches a firm, al dente bite.\n\nBehind the jokes about calling the police and divine forgiveness, Lionfield present a straightforward, taste‑focused method: **watch the clock, trust your palate, and rescue the pasta from the water at just the right moment.**","\u003Ch2>Who Are Lionfield and What Is This Pasta Song?\u003C\u002Fh2>\n\u003Cp>Lionfield, the Italian duo of Matteo Salvatori and Emiliano Santoro, are known online as comedic "pasta protectors" who defend Italian food traditions. In their official video \u003Cstrong>"How To Make Pasta Al Dente"\u003C\u002Fstrong>, they turn a how‑to guide into a full song, mixing serious cooking advice with playful warnings about what \u003Cem>not\u003C\u002Fem> to do.\u003C\u002Fp>\n\u003Cp>The lyrics walk through the steps of cooking pasta al dente while poking fun at common mistakes, especially those made outside Italy. Beneath the comedy, though, they give a straightforward, practical method you can actually follow.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Choosing and Adding the Pasta\u003C\u002Fh2>\n\u003Cp>Lionfield start with the basics: getting the pasta into a properly boiling pot.\u003C\u002Fp>\n\u003Cp>Key ideas from the song:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Shape doesn’t matter for doneness\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"It doesn't matter which shape you got \u002F Long or short, I really don't care"\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>Any dry pasta shape can be cooked al dente as long as you watch the time and texture.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>But don’t break spaghetti\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"But if you pick spaghetti, don't you dare to break them in \u002F We will call the police soon."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>This is a classic Italian pet peeve: breaking long pasta like spaghetti before cooking. Lionfield exaggerate with the "police" joke, but it underlines an authentic cultural preference—keep long pasta long.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Use a boiling pot of water\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Take your pasta and put it in a boiling pot"\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The water should already be at a full boil before you add the pasta, so it starts cooking evenly and doesn’t turn gummy.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Chr \u002F>\n\u003Ch2>What \u003Cem>Not\u003C\u002Fem> to Do: Olive Oil and Wall Tests\u003C\u002Fh2>\n\u003Cp>The video calls out two common myths in a pretty direct way.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Don’t add olive oil to the water\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Don't pour the olive oil in the water because it's a scam."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The idea that oil in the water keeps pasta from sticking is widely repeated but misleading. Lionfield label it a "scam" in the lyrics. The actual sticking problem is better handled by:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>using enough water\u003C\u002Fli>\n\u003Cli>keeping the water at a strong boil\u003C\u002Fli>\n\u003Cli>stirring the pasta in the first minutes\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Don’t throw pasta at the wall\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Once I heard that some people from all over the world throw their spet on the wall and if they stick they think it's ready. God forgives them but I don't."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The "throwing spaghetti at the wall" test is another myth. In the song, they treat it almost like a culinary sin. Sticking to a wall doesn’t reliably indicate al dente; it mostly means the surface is starchy.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Their alternative: read the box, then rely on tasting, not tricks.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Timing, Tasting, and the Box Instructions\u003C\u002Fh2>\n\u003Cp>A big focus of the song is that al dente is about \u003Cstrong>timing and tasting\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Check the clock, but don’t worship it\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Check your clock and ste every now and then"\u003Cbr \u002F>\n"If you check the box you find the cooking time while it's soft and wrong."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>The package gives an approximate cooking time. Lionfield point out it’ll get \u003Cem>soft\u003C\u002Fem> if you follow it blindly. Their message: use it as a guideline, not a guarantee.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Taste as you go\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"And when it's almost ready, take your food a spoon \u002F Taste a piece or two \u002F Please don't let it overcook."\u003Cbr \u002F>\n"The secret is to taste it over and over until it's almost ready."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>Their main rule: keep tasting. Pull out a piece, bite it, judge the texture yourself rather than trusting a wall or just the printed time.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Stop before it goes too far\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Otherwise, you're going to make it over."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>"Over" here is shorthand for overcooked: soft, mushy pasta that Italians generally want to avoid.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Chr \u002F>\n\u003Ch2>What “Al Dente” Means in Practice\u003C\u002Fh2>\n\u003Cp>The chorus repeats the core target:\u003C\u002Fp>\n\u003Cblockquote>\n\u003Cp>"Pasta must be al dente \u002F As long as you remember to take it out the water on time."\u003C\u002Fp>\n\u003C\u002Fblockquote>\n\u003Cp>From the lyrics, the practical definition is:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\n\u003Cp>\u003Cstrong>Slight bite, not crunchy and not mushy\u003C\u002Fstrong>\u003Cbr \u002F>\nIt should be cooked through but still have firmness when you bite it.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>No wall tests, no tricks\u003C\u002Fstrong>\u003Cbr \u002F>\nYou judge al dente by \u003Cstrong>tasting\u003C\u002Fstrong>, not sticking it to a wall or watching for gimmicks.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>While the transcript doesn’t mention it explicitly, Lionfield’s broader pasta content often highlights that al dente preserves texture and avoids the soggy, overcooked results they frequently react to in their comedy shorts.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Simple Step‑By‑Step: Lionfield’s Al Dente Method\u003C\u002Fh2>\n\u003Cp>Summarizing the method described in the song:\u003C\u002Fp>\n\u003Col>\n\u003Cli>\n\u003Cp>\u003Cstrong>Boil water in a large pot.\u003C\u002Fstrong>\u003Cbr \u002F>\nWait until it’s fully boiling.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Add the pasta.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Any shape is fine.\u003C\u002Fli>\n\u003Cli>If it’s spaghetti, keep it whole—don’t break it.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Do \u003Cem>not\u003C\u002Fem> add olive oil to the water.\u003C\u002Fstrong>\u003Cbr \u002F>\nThey call this a scam and skip it entirely.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Check the suggested time on the box.\u003C\u002Fstrong>\u003Cbr \u002F>\nUse it as a starting point for when to begin tasting.\u003C\u002Fp>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Taste repeatedly near the end.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Use a spoon or fork to take out a piece.\u003C\u002Fli>\n\u003Cli>Bite and check the texture.\u003C\u002Fli>\n\u003Cli>Repeat "over and over until it's almost ready."\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003Cli>\n\u003Cp>\u003Cstrong>Remove from water on time.\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>As soon as it reaches that firm, not‑mushy bite, drain it.\u003C\u002Fli>\n\u003Cli>Leaving it in the water is what ruins al dente.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003C\u002Fli>\n\u003C\u002Fol>\n\u003Cp>Throughout the song, Lionfield return to the same condition: \u003Cstrong>"take it out the water on time."\u003C\u002Fstrong> That, for them, is the whole secret.\u003C\u002Fp>\n\u003Chr \u002F>\n\u003Ch2>Summary: Comedy with Real Pasta Rules\u003C\u002Fh2>\n\u003Cp>In \u003Cstrong>"How To Make Pasta Al Dente"\u003C\u002Fstrong>, Lionfield fold real Italian cooking advice into a humorous music video. The main points tied to the lyrics are:\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Use a boiling pot of water and any pasta shape you like.\u003C\u002Fli>\n\u003Cli>Don’t break spaghetti if you care about Italian sensibilities.\u003C\u002Fli>\n\u003Cli>Skip olive oil in the water—it won’t save your pasta.\u003C\u002Fli>\n\u003Cli>Ignore wall‑throwing tests; they’re not a real measure of doneness.\u003C\u002Fli>\n\u003Cli>Read the box for guidance, then rely on repeated tasting.\u003C\u002Fli>\n\u003Cli>Drain the pasta as soon as it reaches a firm, al dente bite.\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Behind the jokes about calling the police and divine forgiveness, Lionfield present a straightforward, taste‑focused method: \u003Cstrong>watch the clock, trust your palate, and rescue the pasta from the water at just the right 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